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excerptsWednesday, September 30, 1936 Sunday and Monday at Roman. I left the place most disquieted. I had the feeling I should never be able to rejoin life again. Everything seemed futile, absurd (…)Now it's all behind me. In a way, it went clear out of my mind.

Studium (…) qui ne veut pas dire, du moins tout de suite, mais l'application à une chose, le goût pour quelqu'un, une sorte d'investissement general, empresseé, certes, mais sans acuité particulière. C'est pas studium que je m'intéresse

excerptsThe 18th of March. Depressing weather in Berlin, yet I'm not depressed, only sleepy, in spite of a coffee and a lot of bitter chocolate. Coming back from Italy is like waking up from a Paradise dream or from a heroin trip and finding again those four walls of

For centuries now, every once in three years, The Feast of Immortality – Kumbh Mela, takes place alternatively in four Indian centers : Allahabad and Hardwar (Uttar Pradesh state), Ujjain (Madhya Pradesh) and Nasik (Maharashtra). Descending from Vedic mythology, the feast

Another bibliophilist concerned with theoretical problems related to rare, old book evaluation is Ion Iliescu, Aesthetics professor at the University of Timişoara, the possessor of a rich and valuable collection. Author of many papers on aesthetics (Course of General Aesthetics),

The Romanian Peasant's Museum Motto: A photo is a secret about a secret. The more it tells you the less you know.  At the beginning of the 20th century, Alexandru Tzigara-Samurcaş1 was wandering around the villages of Oltenia and Bucovina, looking for folk art objects.

An interior made for appearance, fitting the extravagance of some poems In the beginning, gazing at the photos, I stood in the doorway and had the feeling of entering a house deserted by its owners, where I was left with the secret of its nature hidden inside the still

Fotografii: Mihail Cratofil Traducere în limba engleză: Samuel Onn Traducere în limba ucraineană: Alexandrina Cernov, Ilie Luceac Traducere în limba germană: Mariana Koch Albumul conţine o scurtă introducere în care este prezentată istoria de şase sute de

Yet, why should we prize futilities to such an expanse? To what avail should we step purblindly into the haughty palaces, where we, perchance, would encounter but troubles and mortification? Are we not indeed the grandchildren of the poet who, above all, labored the point

I have never met Ştefan Bertalan. A founder of the sigma group in Timishoara, the most influential hub of constructivist experimentalism in Romanian art, Bertalan has always seemed to me somehow ill-timed, included in the canon, and confined therein. I came once into contact

Emil Popescu was an architect. His specialty was the oil factories and we can say, without any exaggeration, that wherever in the country an oil factory had been built in the last five or six years, one could easily tell it was the work of architect Popescu's skilled

excerpt When I first met her, she said she adored Pablo Neruda's poetry and La Fontaine's erotic fables, which are un petit secret délicieux and, once a month, she would listen to a fragment of Le Petit Prince, interpreted by Gérard Philippe. She also told me