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Nous arrivons à l'étude d'une des faces de l'esprit de Jean-Jacques Weiss, que nous pourrions intituler: la face romanesque. Par son tempérament et par ses goûts, nous avons vu qu'il était un petit bourgeois Louis-Philippe, qui pratiquait et exaltait
La Mer Noire, Carrefour Des Grandes Routes Intercontinentales 1204-1453
Dès sa constitution en tant qu'Etat indépendant, dans la seconde moitié du XIVe siècle, la Moldavie est devenue l'un des secteurs de la rivalité constante entre les deux royaumes catholiques voisins, la Hongrie et la Pologne. L'enjeu principal de cette
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La Roumanie, Un Pays À La Frontière De L'Europe
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Art history is usually at ease when imposing its own concepts and technical terminology upon an apparently unconscious body of visual accomplishments called works of art. For art historians and art critics, art seemingly exists in order for theorists to put words on it and
On The Generation In Shambles, 1936
The generation preceding us gave several peaks: Ion Barbu, in poetry, Tudor Vianu, creator of aesthetic systems, none of the most refined, but solid nonetheless, Lucian Blaga, in metaphysics and the philosophy of culture, Nae Ionescu, Cezar Petrescu, novelist of failures,
Historical Ideas And Forms, 1919
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King Carol II And The Myth Of Eternal Romania
The historiographical approach is one of the fundamental elements of the political system which propaganda may serve. The legitimation of a political regime and its leader through the national historical pantheon represents a necessary action for the dynamism of the propagandistic
The Transfiguration Of Romania, 1936
excerpts Chapter II: The Romanian Adamism Oh God! What have we been doing for a thousand years?! All our life, ever since a century ago, is nothing but the process through which we realized we actually did nothing… the comparison with what was accomplished in other countries
The National Spirit, 1926
The polemic, sustained by two journals, around a problem that is admittedly dated has yet to die down. One of them maintains that we are surrounded by Chinese walls, that we vegetate in an oriental indifference when we are not openly hostile toward the flow of ideas and
The Mission Of A Generation, 1928
Creative time, the one that does not make history, is not homogenous and equal. It is not divided according to calendars and clocks. It is rather an alternation of shadow and light in periods of uneven lengths. Now, an impetuous outburst of assertion, of tension and of work.