RFI

L'Art Roumain De 1800 A Nos Jours

Editeur: John KroonA. B. Malmö LjustrycksanstaltMalmö (Suede)1935 L'ART DU XIXe SIECLE I. CONDITIONS HISTORIQUES, RENOVATION MORALEEntre le XIXe siècle et la fin du siècle précédent, dans le domaine de l'art comme dans tant d'autres, il y a en Roumanie

La Roumanie, Un Pays À La Frontière De L'Europe

ParisLes Belles Lettres2003 DES BALKANS A L'OCCIDENTJ'ai tracé, dans leurs grandes lignes, les événements cruciaux de la moitié du siècle, de 1821 à 1866. Mais à la même période s'engage un profond processus qui modifie non seulement les bases politiques,

Nationally-Specific Art In Interwar Romania

Art history is usually at ease when imposing its own concepts and technical terminology upon an apparently unconscious body of visual accomplishments called works of art. For art historians and art critics, art seemingly exists in order for theorists to put words on it and

On The Generation In Shambles, 1936

The generation preceding us gave several peaks: Ion Barbu, in poetry, Tudor Vianu, creator of aesthetic systems, none of the most refined, but solid nonetheless, Lucian Blaga, in metaphysics and the philosophy of culture, Nae Ionescu, Cezar Petrescu, novelist of failures,

Historical Ideas And Forms, 1919

Four Inaugural Lecturesexcerpts TWI ENI KAI PANTI 1. Our Life's DutyLecture to open the courses on Ancient History and The History of the Arts, held in the winter semester of MCMXIX-MCMXX at the University of Cluj, read on II November MCMXIX From one day to the next,

King Carol II And The Myth Of Eternal Romania

The historiographical approach is one of the fundamental elements of the political system which propaganda may serve. The legitimation of a political regime and its leader through the national historical pantheon represents a necessary action for the dynamism of the propagandistic

The Transfiguration Of Romania, 1936

excerpts Chapter II: The Romanian Adamism  Oh God! What have we been doing for a thousand years?! All our life, ever since a century ago, is nothing but the process through which we realized we actually did nothing… the comparison with what was accomplished in other countries

The National Spirit, 1926

The polemic, sustained by two journals, around a problem that is admittedly dated has yet to die down. One of them maintains that we are surrounded by Chinese walls, that we vegetate in an oriental indifference when we are not openly hostile toward the flow of ideas and

The Mission Of A Generation, 1928

Creative time, the one that does not make history, is not homogenous and equal. It is not divided according to calendars and clocks. It is rather an alternation of shadow and light in periods of uneven lengths. Now, an impetuous outburst of assertion, of tension and of work.

Tradition And Modernity In The 1920s (IV)

excerpts Chapter IV. What path shall we choose for our evolution? 1 The history of modern Romania has registered, periodically, a phenomenon that might seem strange at first glance. That is the discussion, every two or three decades, concerning the development of the country

Orthodoxy And Romanianness, 1929

excerpts Orthodoxy is the rhythm in which the most authentic breath of complete life can be found, of life lived with the wish for the progress by which the evil that hurt it is made good, and by which it is elevated towards the perfection, which is its real normal status.

Religion And Identity In Interwar Romania: Orthodoxism

In the two decades between the world wars the majority of Romanian intellectuals were engaged in a grand debate about what it meant to be Romanian and how national character determined social and political development. [1] The ideological commitments of the protagonists