Mons

excerpt Nothing, says Mr. N. , in an witty critique of Iaşi society, nothing is more boring than Iaşi for a foreign traveler whose name does not include the rewarding of particle, and whose only concern is to do business and not entertain the little civilized inhabitants

One might think that all men desire pleasure because they all aim at life (…). Pleasure completes (…) life, which they desire (…). But whether we choose life for the sake of pleasure or pleasure for the sake of life is a question we may dismiss for the present. For

For well over one year, since I and the retiring actor Stelian Nistor marketed our tee-vees to see the magazine Everybody's Cuisine through the press, our peers, notably those at The Catzavencu Academy, never fail to cheek me: You meatball-journalist, recipe commentator,

The relevance of iconography for the study of the history of mentalities has been uncontested in the Western cultural space for the last few decades. The seminars organized in Aix-en-Provence on the relationship between iconography and the history of mentalities as far back

In the field of iconography the rhetoric of the end manifested itself initially as a history of silences, the absence of the motif being possibly equally significant as its presence since, as Michel Vovelle demonstrated, images interest us as expression of a selective, oblique

excerpts The cosmic tree, whose root, trunk and branches uphold – by dividing yet uniting – the three cosmic levels, is the same as the funeral tree, because, to the folk mentality, the cosmic tree is the only passageway to the other realm that the soul of the dead

Corneliu Bucur has been the manager of the ASTRA Museum of Traditional Folk Civilization since 1990. In 1965, he graduated the Babes Bolyai Faculty of History and Philosophy in Cluj. In 1981 he presented his doctoral thesis, with the following theme: Introduction in the

excerpts1. Participation and RepetitionPerhaps the most significant difference between modern man and archaic man consists in this: for archaic man, a thing or an act acquires significance only in as much as it participates in a prototype, or in as much as it reiterates

Historian The National Village Museum in Bucharest is the kind of museum in which the traditional exhibition halls are replaced by authentic households, consisting of dwellings and their extensions, technical devices, churches and triptychs transplanted from their places

Emil Popescu was an architect. His specialty was the oil factories and we can say, without any exaggeration, that wherever in the country an oil factory had been built in the last five or six years, one could easily tell it was the work of architect Popescu's skilled

After the last act, with the collar of the raincoat raised, hiding the flowers picked up from the stage by the flyman, he was the last to go out in the street. The doors were closing on the dark halls. The square was empty. The light bulbs threw a bluish and so sad a light

IBeyond the Stone Cross brothel district, on the left of Vitan Road, there rises the HolyRoadAltarChurch. And a mighty proud church that is! Such paintings, inside and outside, are seldom to be seen but in the abodes of old. If you listen to its parishioners, especially