Unfolding

Institutul Român de Cultură și Cercetare Umanistică de la Veneția organizează, în colaborare cu Fundația Beatrice von Babel, în perioada 24 aprilie – 7 mai 2023, în Spațiul Piccola Galleria, proiectul HOUSE UNHOUSE, coordonat de artista Anca Mureșan. Proiectul,

Vernisajul expoziției de ceramică și desene „Memory - Folding/ Unfolding“ a artistului vizual român Vlad Basarab a avut loc  miercuri, 9 septembrie, de la ora 19. 00, la Filiala Seghedin a Institutului Cultural Român de la Budapesta (Piața Dugonics, Nr. 2, 6720,

Vernisajul expoziției de ceramică și desene „Memory – Folding/ Unfolding“ a artistului vizual Vlad Basarab va avea loc miercuri, 16 septembrie 2020, de la ora 18. 00, la sediul Institutului Cultural Român la Budapesta (Strada Izsó nr. 5, 1146, Budapesta). În

Mythology, just like the vernacular, is a product of the folk spirit that does not excel in speculation but finds an unconscious, spontaneous, inspired, and not-at-all roundabout way of expression. Mythology presents in all sincerity the attitude of primitive man towards

A Word with Two Meanings We invent words, then let ourselves be subjugated by them. There would be no knowledge without words, but it is words again that grow into independent entities, obstacles that come between us and the real world. They move us closer to and at the

excerpts NOISES OF THE CAPITAL For reasons I cannot exactly explain, the flow of ideas circulated by the independent press has strikingly dwindled to a mere trickle. One can only put it down to the times of fatigued irritation we are living through as we wait for the much

Captain Drăgoi used to enjoy much consideration among officers. He had gone through the whole set of hard tests. From a non-commissioned officer he had been promoted second-lieutenant in the regiment of a colonel with many daughters who had been withering, a prey to hidden

1945 January 1st Absolutely alone, this Eve. First time ever, I imagine. Listening to the King's speech and to general Rădescu's[i]. Nonetheless, kicked off the evening by a prayer: asked God for PEACE, serenity, calmness. At the depth of my soul: melancholy,

Representing dance and dancers is not infrequent in Romanian art. From the famous Hora by Tattarescu, at the end of the 19th century, to the series of Căluşarii of Magdalena Rădulescu by the middle of the 20th century, various painters aimed at getting something from

I made my debut in 1974. I had graduated from high school the year before and in the summer of '73 Adina Cezar, Nataşa Trăistaru, Anca Mândrescu, Cristian Crăciun and I decided to establish a contemporary dance troupe. As far as I am concerned, the decision to put

Origins. In Experimentalism in Romanian Choreographic Art between the 60's and the 90's, published in 1997, Liana Tugearu made the following remarks: After a very short period of storing and decanting, a few young dancers broke away from the established companies

The recent premiere presented by the Center for Artistic Expression of the Odeon Theater, Not Me and Solo, from Samuel Beckett, is a dance show by Raluca Ianegic, and it proves that choreography has indeed found in Beckett a good companion in ideas, as his work corresponds