Studio

From The Procrustean Bed Add to these criteria of a physical nature the old preconceived idea of talent. As is known, talent is discovered thus: a boy or a girl, choking with stage fright, before a long table at which a commission are sitting, start declaiming Gens Latina

Like diaries and memoirs, portraits and especially self-portraits represent a favorite means of inserting the creator's self into history. One may eventually infer, if not directly grasp a writer's or a painter's positions and opinions about his milieu and

Preface In April 1990, I handed over the volume The Silent Escape to the Secretariat of the French publishing house La Découverte in Paris. On September the 1st, the same year, the book was in the bookshops. It's my first book and I don't consider it literature.

Significant and flamboyant, this success reaped by the Ballet Ensemble of the Fantasio Theatre in Constanţa: a corps which has made the proof of less common technical virtues and that of an exceptional graphical grace in maintaining a new (and viable) language derived from

I met Ioan Tugearu in Constanţa at the Oleg Danovski Ballet Theater where he spent days on end staging Kurosawa, Mon Amour, on a collage of traditional Japanese music, with stage decoration by Ion Codrescu. The show premiered early in September. With a tape-recorder in

Interview with Gigi Căciuleanu about the performance staged as an absolute première in Constanţa – June 2000 To Gigi Căciuleanu, Romanian choreographer living in France, who left Romania in 1972 to win a wager with himself – the freedom to create in a world free

In one of the marvelous spots of Switzerland I met Maurice Béjart, the choreographer that refreshed all forms of movements and made of dance the art of the 20th century. In Lausanne, Maurice Béjart continues to live creating and philosophizing for the synthetic art with

On May 20, on the occasion of the International Dance Day, the stage of the National Opera hosted a ballet recital. The performance proper was preceded by an opening speech by Mihai Brediceanu, the president of the Dancers', Choreographers' and Music Critics'

None of the totalitarian regimes of this century had any particular liking for the modern art trends and made them eventually disappear from the area controlled by them. Too free a manifestation of one's personality meant escaping their power. In Nazi Germany just as

Origins. In Experimentalism in Romanian Choreographic Art between the 60's and the 90's, published in 1997, Liana Tugearu made the following remarks: After a very short period of storing and decanting, a few young dancers broke away from the established companies

For the first time ever three American choreographers, Moses Pendleton, David Parsons and Daniel Eszralow will create a novel performance for the Romanian World and Olympic Champions at aerobics. AEROS – a world premiere that will take place in Italy. Physically extremely

How is it possible that, neither in the century celebrated last year since Vaslav Nijinsky's birth, nor in the four decades commemorated this year, on the 8th of April, since his departure, no personality should have appeared to dispute the legendary ballet dancer and