Strategie

Misiunea Institutului Cultural Român este promovarea culturii şi civilizaţiei naţionale în ţară şi în afara ei. Creşterea vizibilităţii valorilor culturale româneşti în lume constituie scopul principal al activităţilor desfăşurate de ICR. Cadru legal

Clockwise from top left: Revolution Square, Maniu statue, Coposu bust, Hilton Athenee Palace, Kretzulescu Church, University Library, Ataturk bust, Carol I equestrian statue. Post-revolutionary administrators of the capital city have managed to turn the birth place of the

Richard Rogers Partnership proposal, 1996People's House (Parliament) After 1989: Methods of researching the built environmentResearching Communist architecture is a tricky endeavor in contemporary Romania, where some major actors of that era are still alive, some even

A Word with Two Meanings We invent words, then let ourselves be subjugated by them. There would be no knowledge without words, but it is words again that grow into independent entities, obstacles that come between us and the real world. They move us closer to and at the

An Individual without Individualism To a new society – a new man. Naturally, one would not fancy a communist world inhabited by middle-class people in disguise. That was the most delicate problem raised by transformist mythology. One could not rebuild the economy and

CHAPTER I Structures and Methods An Ambiguous Condition What if the history of the imaginary did not exist? Beyond all paradox, the question deserves to be raised. Following a hectic and contorted history, this discipline is hindered by theoretical and ideological difficulties.

Origins. In Experimentalism in Romanian Choreographic Art between the 60's and the 90's, published in 1997, Liana Tugearu made the following remarks: After a very short period of storing and decanting, a few young dancers broke away from the established companies

 I must admit I didn't quite understand in the beginning why, shortly after 1989, the Western mass-media has so hastily labeled us as suffering from a deep identity crisis. I was downright indignant: after having sadistically experimented Communism on us for half

1. His parents christened him Dimitrie, but he knew the appropriate name for himself, so he changed it to Demetru. He had said this himself, people should find names for themselves in tune with their own personal reality, or they should change themselves, while that is still

[1]Algazy is an old, loveable, toothless, smiling old man; his beard is shaven and silky, beautifully displayed on a grid, screwed up under his chin and enclosed with barbed wire… Algazy does not speak any European language… If you wait for him, however, at dawn, when

In the field of iconography the rhetoric of the end manifested itself initially as a history of silences, the absence of the motif being possibly equally significant as its presence since, as Michel Vovelle demonstrated, images interest us as expression of a selective, oblique

excerpt I paused a little in order to recall better the dark areas of my teenage years. I don't know why it is only about them that I feel like writing. But do I only have to write about them? Maybe the journal that I'm struggling every second not to finish the