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Antologia bilingvă (română-engleză) 10. 000 de semne / 10,000 characters reunește texte de Diana Adamek, Gabriela Adameșteanu, Ștefan Agopian, T. O. Bobe, Nicolae Breban, Augustin Buzura, Mircea Cărtărescu, Ruxandra Cesereanu, Radu Cosașu, Caius Dobrescu, Filip

„Triumful României şi „noii regi ai festivalurilor – ZIARUL DE DUMINICĂ6 ianuarie 2012 Pe 29 decembrie Furia (foto 4) şi pe 30, Boogie (foto 5), cele două filme ale lui Radu Muntean, programate la Filmoteca din Madrid, încheie Zilele filmului românesc organizate

Volumul cuprinde texte de Adrian Alui Gheorghe, Naim Araidi, Florin Bican, Andrei Bodiu, Leo Butnaru, Gabriel Chifu, Denisa Comănescu, Traian T. Coşovei, Ioana Crăciunescu, Dan Cristea, Mariana Dan, Nichita Danilov, A. Debeljak, Gabriel Dimisianu, Myriam Diocaretz, Gellu

SUMAR NR. 65 Pagini autobiografice Ryszard Kapuściński – Războiul fotbalului Ion Vianu – Ecerciţiu de sinceritate Dincolo de eveniment Perry Anderson – Înfăţişarea Europei Mircea Vasilescu – Când ideologia o ia înaintea adevărului Guillaume Dasquié

from Exuviae  I squat in the middle of the room. I find it hard to talk about myself in the past. And today, only a specific kind of music, sometimes, or some dizzying book can make all the multitudes you are made of get along, keep together, come back docilely to your

With immense delicacy and great scrupulousness he [Gellu Naum] would each time talk about Victor Brauner – the friend from his youth years he had met on the occasion of an exhibition opened at Mozart Hall in Bucharest. It was 1935. The twenty-year old youth, Gellu Naum,

I can almost hear Gellu Naum saying: I fell on the pavement on account of the old tree roots which have heaved it. There was a smell of putrid leaves. And of putrid earth. I could not lift myself up. From somewhere, came a cur of a dog. 'You want grass,' I asked.

excerptsLet us begin with on obvious fact – Urmuz is a myth, is he not? Useless like all myths, functioning due to inertia, the coronation of certain clichés. Who reads Urmuz these days? Urmuz was the object of critical studies, his work has been translated, and his name

excerpt I was to deal with this vague feeling, this bizarre, somewhat abstract and pure love three times during my teenage years. I had come into this huge and empty room, lured by some strange music that I always found irresistible, insinuating, intoxicating and dangerous.

I don't know what pornography has come to mean today, but I know what pornography is not. I recently saw the horrid TV broadcast against Ovidiu Verdes's book, the whole pathetic setup designed to compromise an author. I consider Musics and Tricks as one of the

excerpt REGNUM PUERILE I was pondering, among other things, about the ways of ogres and dragons, as people were wont to talk about them so much. They were bad, they were mad, they were downright evil – and frightening, though not existing in point of fact. This must

Where do I come from? I come from my childhood. I come from my childhood as from a country. Antoine de Saint-Exupery Is fascination with childhood a convention? No, inasmuch as, for most of us, childhood was filled with wonderful things and games, fairy tales and ingenuity,