Sculptura

Volumul reuneşte contribuţiile autorilor Ana Maria Zahariade (Influenţe franceze asupra arhitecturii din România), Bogdan Andrei Ferzi (Micul Paris, între mit şi realitate), Augustin Ioan (Bucureşti ca Paristanbul, O obsesie autohtonă: arhitectura cu specific naţional?),

Paul Neagu's Century Cross was set up at Charles de Gaulle Plaza (the former TelevisionPlaza), Bucharest, in September 1997, as a memento of the 1989 anti-Communist riots. It is a six meter wide lenticular bronze disk with a large cross pattern on both faces made up

Simplicity is not an end in art, but one arrives at simplicity in spite of oneself, in approaching the real sense of things. Simplicity is at bottom complexity and one must be nourished on its essence to understand its significance. Catalog of Brâncuşi exhibition, Brummer

In a holographic note drawn up in Romanian in the third person, Brâncuşi speaks about himself as about someone else and makes an important remark in connection with his relationship with materials. Turned down in 1910, he exhibited fully carved stone and marble for the

You have turned the antic into the modern, Rousseau le Douannier once told Brâncuşi. Those words complete very accurately the characterization suggested by Dan Hāulicā: He produced the century's purest classicism out of the exotic. [1] The Romanian sculptor

The stars of ballet travel almost ceaselessly: Paris today, Rome or Buenos Aires tomorrow, then prepare for a new destination. Gheorghe Iancu, dancer of Romanian origin, settled in Milan 24 years ago, is one of these Guest Stars. His body's sculptural perfection, his

I was touched and amazed to discover this skinny little girl, thin and long legged, who was doing her exercises in the ballet room with the concentration of a mature artist. The way she led her body had lost any trace of effort and it was describing meanings known only to

click here to see film The Peleş Castle, former royal summer residence, today a museum open to numerous visitors from the country and abroad, was built between 1875 and 1914 in two important construction phases. Placed at the foot of the Bucegi Mountains, in the upper

The History and Archeology Museum (HAM) is a main component of the Institute for Ecomuseum Research, Tulcea (IER). Although it was practically established in 1975 by the permanent history and archeology exhibition at the former Danube Delta Museum, inside an edifice located