Romania

The Forgotten Mosilor (May Fair) Street

Mosilor Street, the modern thoroughfare of a Bucharest that struggles so hard to appear occidentalized and yet doesn't quite manage to: something Balkan, Levantine lingers in the atmosphere of the streets, in spite of the concrete ten-floor blocks, of the road with

An Armenian Who Changed The Destiny Of The Opera Oedipe: David Ohanesian

Through the centuries, the spiritual connection between Armenians and Romanians has been very close as far as the Romanian musical culture is concerned. It's enough to remember Carol Mikuli, Mihail Jora, Matei Socor, Emanoil Ciomac, Sergiu Malagamba, Nicolae Buicliu,

A Brief Overview Of The Armenian Community In Romania

Editor-in-chief of Ararat The oldest evidence of Armenian presence on Romanian territory is an inscription on a tombstone dating back to 967; it was found at the White Fortress (Cetatea Alba). At around the same time, the presence of an Armenian colony in Transylvania is

Triumphalus, Or The Sunset Of The Stallions

excerpt The Old Geezer had come again to the shore of the Black Sea to buy himself an eye. The other reason was to spend a honeymoon here. As a rule, he would go back with an extra honeymoon and the same number of eyes. Five years before, appalled as he was by the fact

The Albanian Bucharest: From Merchant Elites To Cultural Elites

excerpts The gradual development of a cultural Moldo-Walachian elite of Albanian origin, that was able to manifest an awareness of the cultural identity of its origins through certain activities in this respect, an elite devoted to the idea of a modern and independent Albania,

A History Of The Albanian Community In Romania And Its Organization ALAR

President of ALAR Documents speak of an Albanian presence on Romanian land no earlier than 1595, when a report sent to the imperial Councillor Pezzen, by his agent Giovanni de Marini Poli on 14/24 March, highlights the arrival in Cervenavoda of 15,000 Albanians and their

Nationally-Specific Art In Interwar Romania

Art history is usually at ease when imposing its own concepts and technical terminology upon an apparently unconscious body of visual accomplishments called works of art. For art historians and art critics, art seemingly exists in order for theorists to put words on it and

I Look At Things As A Romanian Does

Excerpts from a discussion with Raluca Barac, published in Acum (Now) magazine, No. 13, April 1990 Going back to the fate of the cultured generation, let me make so bold as to ask your opinion of the so-called age of Noica, a phrase that seems to get bandied about quite

Rich And Poor, 1945

excerpts I For a century, the psychology of the Romanian people has found itself in continual transformation. This has corresponded (since 1829, that is, since the treaty of Adrianopolis whereby the Romanian Principalities joined the Western capitalist complex) to a gradual,

The Significance Of Transylvania, 1944

excerpts  The significance of Transylvania during the childhood and teens of those who in 1916, at the time of the Old Kingdom, went to place our youth in the melting pot where the spirit of a whole nation was to broil in order to win its political unity is not only of

On The Generation In Shambles, 1936

The generation preceding us gave several peaks: Ion Barbu, in poetry, Tudor Vianu, creator of aesthetic systems, none of the most refined, but solid nonetheless, Lucian Blaga, in metaphysics and the philosophy of culture, Nae Ionescu, Cezar Petrescu, novelist of failures,

On National Specificity, 1935

If I had had the courage to speak freely, directly, without resorting to these pages in front of me, and without caring about the serious language mistakes I may make in French – and which I will definitely make –, if I had the courage to start my free conversation with