Eugen Ionesco - Interviews

UNDER THE QUESTION MARK: MAN If you were asked to portray yourself as you did in your books, diaries, or in Present Past, Past Present, how would you introduce yourself? Eugène IONESCO: It is very complicated. I don't know. I don't know who I am. I don't

Eugene Ionesco De L'Académie Française

The founder of the Theater of the Absurd (with The Bald Soprano, staged in 1950 by Nicolas Bataille at the Theatre des Noctambules in Paris, a play he had begun in the 40s while still in Romania under the title English without a Teacher), a member of the French Academy from

The French Literary View On Enescu's Sense Of Yearning

It has been said – for good reason – that the Romanian word dor [aprox. yearning] is untranslatable, which made all foreign lexicographers leave it in its original form in most literary texts. But in music there is also a dor enescian [Enescian yearning], which someone

Famous People About Enescu

Alfredo Casella: Enescu is delicate and sensitive, communicative too, like all Latins. Despite his spontaneous and amazingly rich inventiveness, his creation illustrates a process of will, which no artist can overlook. I have seen such a perfect accord between intention

George Enescu At The Beginning Of A New Millennium

The history of world music has witnessed many spectacular overturns in the hierarchy of values, when names of purely local interest whose death was not even announced in an obituary (Johann Sebastian Bach) became world famous personalities a century later. Quite often, internationally

How I First Met Brâncuşi

excerpts We want to see Brâncuşi. Do you know him? asked Florica. We're old friends. But he is ill, it's not easy to get an appointment. Anyway, let's try. On the same day, October the 13th, 1956, we met Colomba again at 'Les deux magots', among

Brâncuşi And The World Of Music

For the sparkling sculptor of modern art, music represented a secret passion. It was only after the master's death that his close friends, V. G. Paleolog and Marcel Mihalovici revealed to the world the place the art of sounds took in the atmosphere of the mysterious

Constantin Brâncuşi: The Temple Of Liberation And The Hieratic Emblem Of The Chimera

The Chimera, a sculpture carved in oak wood between 1915 and 1917-18, currently exhibited at the Philadelphia Museum of Art, has so far attracted but limited exegesis. Petru Comarnescu, in a conference held in Craiova in 1957, made reference to the body streamlined as to

Brâncuşi And The Significance Of Matter

In a holographic note drawn up in Romanian in the third person, Brâncuşi speaks about himself as about someone else and makes an important remark in connection with his relationship with materials. Turned down in 1910, he exhibited fully carved stone and marble for the

The Brâncuşian Synthesis

You have turned the antic into the modern, Rousseau le Douannier once told Brâncuşi. Those words complete very accurately the characterization suggested by Dan Hāulicā: He produced the century's purest classicism out of the exotic. [1] The Romanian sculptor


So they felled an old fir tree because it gave too much shade… Nicolae Iorga was the Romanian scholar par excellence whose only lifetime joy was the joy of books, and whose only ambition was to uplift the letters of his kin. by Perpessicius

History Of The Romanians - Before Decebalus

CHAPTER I 1. The Dacian Offensive: His Majesty, Decebalus  Long had Rome been dealing with this headstrong Dacian people; but, having had them for some time encircled closely by other barbarians and guarded by ships on the Danube, whose function was mainly political,