Romaneasca

Mythology, just like the vernacular, is a product of the folk spirit that does not excel in speculation but finds an unconscious, spontaneous, inspired, and not-at-all roundabout way of expression. Mythology presents in all sincerity the attitude of primitive man towards

Ediţie bilingvă (română-engleză) „Orice colecţie particulară seamănă cu un muzeu în miniatură, un muzeu proprietate personală, destinat desfătării intelectuale a câtorva prieteni iubitori de artă. În cazul meu este artă românească, şi este colecţionată

Prin această lucrare de istorie literară putem distinge mai exact între diversele programe şi etape ale avangardei româneşti, putem sesiza mai clar interferenţe doctrinare şi nuanţe individualizante ale fiecărei orientări, suntem mai conştienţi de însemnătatea

Volumul reuneşte texte ale autorilor: Violeta Barbu, Florina Manuela Constantin, Constanţa Vintilă-Ghiţulescu, Andreea-Roxana Iancu şi Gheorghe Lazăr. Cum au fost construite, cum au funcţionat şi cum s-au întrupat în legături sociale reprezentările pe care

B. Fundoianu began to publish persistently and regularly in 1918, when he was twenty; with the determination that characterized him, he embarked upon a tireless mission that took all the attributes of a vocation: that of a messenger of French – hence European – culture

Ceci est un fait-divers atroce. Les Mémoires du Bal-Mabille There are dreams we seem to have lived sometime long ago, somewhere, as well as things we lived about which we ask whether they were not a dream. That's what I was thinking of yesterday evening when, rummaging

excerpts In the second half of the 17th century, inns emerged in Bucharest. They later formed a very important chapter in the Bucharest economy of the 17th century and of the first half of the 18th century, and they made an important contribution to the development of the

excerptAbout the Earth's Crust A loud knock on the door of the cabin disturbs my sweet morning sleep. Gibrelterra!… Gibrelterra!… I rub my eyes sleepily and, without understanding anything, I ask stroppily: what is it? what's happened?Gibrelterra!…We can

excerpts30th September When I get on the tram, in Zurich, I cross myself. To whom? Not to the tram, of course, but to the Power that gave some people (engineers, technicians, workers) the ability to create such public means of transportation: and to others (the passengers)

click here for fragment from the movie XIVexcerpt On the contrary, I had been dominated by a celebratory feeling ever since I had left the house. The city, under the sun of an August morning, seemed to celebrate too. Was it a reflection of my frame of mind? I have always

To the achievement of literary impact, Argeş Monastery comes up with a simple and ingenious solution: the absolute contrast between the soft and caressed tenderness of form, on the one side, and the wild graveness of the underlying tragedy, on the other. In the style and

excerpt All his anxiety, that apoplectic fit, was proof he did not know Clara. That was precisely the state of their relationship at the time. In order to know and understand and accept her manner of thinking, the style of her infinitesimal psychic reactions – allowing