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Brâncuşi Vs. Brâncuşi

Modernism has brought to paroxysm the need of personal mythologies, immanent to Western civilization. No wonder that some of the heroes and saints of the avant-garde came from those peripheral European territories still uncharted from a spiritual point of view. By the beginning

Eugene Ionesco De L'Académie Française

The founder of the Theater of the Absurd (with The Bald Soprano, staged in 1950 by Nicolas Bataille at the Theatre des Noctambules in Paris, a play he had begun in the 40s while still in Romania under the title English without a Teacher), a member of the French Academy from

The French Literary View On Enescu's Sense Of Yearning

It has been said – for good reason – that the Romanian word dor [aprox. yearning] is untranslatable, which made all foreign lexicographers leave it in its original form in most literary texts. But in music there is also a dor enescian [Enescian yearning], which someone

Famous People About Enescu

Alfredo Casella: Enescu is delicate and sensitive, communicative too, like all Latins. Despite his spontaneous and amazingly rich inventiveness, his creation illustrates a process of will, which no artist can overlook. I have seen such a perfect accord between intention

George Enescu At The Beginning Of A New Millennium

The history of world music has witnessed many spectacular overturns in the hierarchy of values, when names of purely local interest whose death was not even announced in an obituary (Johann Sebastian Bach) became world famous personalities a century later. Quite often, internationally

Brâncuşi And The World Of Music

For the sparkling sculptor of modern art, music represented a secret passion. It was only after the master's death that his close friends, V. G. Paleolog and Marcel Mihalovici revealed to the world the place the art of sounds took in the atmosphere of the mysterious

Constantin Brâncuşi: The Temple Of Liberation And The Hieratic Emblem Of The Chimera

The Chimera, a sculpture carved in oak wood between 1915 and 1917-18, currently exhibited at the Philadelphia Museum of Art, has so far attracted but limited exegesis. Petru Comarnescu, in a conference held in Craiova in 1957, made reference to the body streamlined as to

History Of The Romanians - Before Decebalus

CHAPTER I 1. The Dacian Offensive: His Majesty, Decebalus  Long had Rome been dealing with this headstrong Dacian people; but, having had them for some time encircled closely by other barbarians and guarded by ships on the Danube, whose function was mainly political,

Nicolae Iorga

When at only 19, Nicolae Iorga (1871-1940) defended his university degree examinations one of his examining professors characterized him as a true phenomenon both in point of memory and power of ratiocination. Then Iorga worked hard in Paris and in Germany, obtaining a

The Cultural And Intellectual Life Of Bucharest

As a princely seat Bucharest was once, for the Romanian authorities, a citadel watched over by God just like Byzantium was for the Eastern Christian world. Then, naturally, it was also the place where scholars needed by the Prince's Chancellery made their studies. They

Not Only Caragiale

excerpt A commonsensical observation anyone could make is that in many of Caragiale's prose pieces the personal element comes out in a very direct manner, in the form of autobiographical reminiscences or fresh diary entries. Here is Caragiale as a child, tolling, together

Where Do We Stand?

'Where do we stand with the Bulgarians?' I ask my friend, X…'Neither here, nor there. ''What do you mean?…''What, don't you see?''I don't actually… for, as you said: neither here, nor there means we don't