Mircea

I no longer love Bucharest. I'm no longer hoping something can be done about this dump of Europe An interview with Mircea Cărtărescu by Ion Longin Popescu Slowly but surely, the old, historic Bucharest – the little that was left after Ceauşescu's demolishing

excerpt Beyond this second row of buildings, the town sprawled out to the horizon, covering half the window with an increasingly minced, confusing, indistinct, random mixture of the vegetal and architectural, with poplars’ spears soaring up here and there, and strange

As I was translating with much esteem Mr. Vintila Mihailescu's text entitled Neo-Western-Supremacism, it suddenly dawned on me: the inyourpocket presentation he discusses, one fascinated with primitive Romania, shows an attitude somewhat similar to that of Englishman

Revolution Square Last time when Bucharest was flooded, when in some districts the water rose as high as half of the Dacia car parked on the sidewalk, none of the Romanian reporters or newscasters failed to draw a comparison between our capital and a “European” one.

Cismigiu gardens, Icoanei park, Kiseleff park (see also The green within in Gallery). Many of Bucharest’s gardens and parks, which no longer exist because of extensive urban reorganising, were shaped as the aristocracy tastefully redesigned the open space around their

1st row: National History Museum, Old Court Museum, Archeology Museum (detail), National Museum of Art2nd row: Collections Museum, Zambaccian Museum, Theodor Aman Museum, Gh. Tattarescu Museum 3rd row: Storck Museum, Romanian Peasant Museum, Astronomical Observatory (detail),

clockwise from top left: Coltei Church, Manuc's Inn, St. Anthony's Old Court Church, Metropolitan Church, Mihai Voda Church, Cretzulescu Church, St. Apostles' Church, St. George's Church. The administrative efforts that very enthusiastic and dedicated

Aa lo largo del período de su estancia en España, Vintila Horia el exiliado, se sintió como si estuviese en su antigua casa que había vuelto a encontrar (Vintila Horia fue un europeo nacido en Rumanía y arraigado en España, que edita en París, Roma y Madrid sus novelas

Me sucedió en esta vida la cosa más triste posible: de poeta he llegado a ser autor. Creo que fui un poeta verdadero alguna vez, en mi adolescencia, cuando aún no había publicado – y, salvo mi diario íntimo, tampoco había escrito – nada. Es mi estado ideal, perdido

La Cruz, hecha de la madera del Arbol del bien y el mal, es identificada o se substituye al Arbol Cósmico; se la describe como un árbol que sube desde la tierra al cielo, árbol eterno que está en medio del cielo y la tierra, apoya fuertemente el Universo, el árbol filogenético

The different man exhibits both what is permanent in the human spirit and the changes occurring throughout History. Tell me who your different man is and I will tell you who you are. I A DESCRIPTION OF THE DIFFERENT MAN A Key Concept: Radical Otherness Man does not move

CHAPTER I Structures and Methods An Ambiguous Condition What if the history of the imaginary did not exist? Beyond all paradox, the question deserves to be raised. Following a hectic and contorted history, this discipline is hindered by theoretical and ideological difficulties.