Memory

Chapter IX. The Romanians' Religion and CultureIt has been said and very often repeated that the Christian church and religion saved our nation and country from destruction. This is a statement too often made and too little controlled. With as much grounds one may state

excerpts We have wondered many times if it is possible to find or to hypothetically build a matrix-space, or an unconscious spatial horizon, as an underlying spiritual layer for the Romanian folk culture anonymous creations. The subject is worth the risk of any and all

Toward the end of the Middle Ages, the Romanians, until then living in their traditional peasant autonomies, which stand for an entire, complete political order with archaic roots, arrived, after the abolition of anarchy, at their boundaries and, on one side, because of

I think the idea of a head of the orchestra arose two and a half centuries ago, as a result of the activity of the Mannheimer Circle, who had invented acoustic dynamics: the game of intensity, as a component of the agogic, a quite unproductive term for most of the music

A few days back, a shattering piece of news darkened our souls and filled our eyes with tears: the heart of the great Romanian musician Ionel Perlea has stopped. Unable to contain this terrible pain, our memory revisited in one instant the unique days he gave us in that

The Romanian realm has given great creating spirits to the world, in all fields of activity: philosophers, historians, sociologists, scientists that made epoch-making discoveries, inventors, writers (poets, prose writers, and dramatists), brilliant musicians, painters, and

Far from his country, across the ocean, in 1957, while he conducted Beethoven's Ninth Symphony in New York, conductor Ionel Perlea had a heart attack. He had the courage and most of all the strength to go on conducting until he finished the Ode to Joy, after which he

Of all the great 20th century conductors, Egizio Massini was the only one who distinguished himself equally in three different fields (opera, symphonic music, and fanfare). Even if he made tours abroad conducting all threes types of music, opera was the genre that distinguished

Enescu:Dear Georgescu,This is what I got from professor Hajak (Targu Mures). He plays well and it would be a good policy to have him play one of the concertos he proposed with the Philharmonic. I did not mean to bother you with this matter, but he insists, as you can see.

On 20 November 1921 an enthusiastic letter written by the poet Cincinat Pavelescu is published in Rampa, a letter which we see fit to transcribe in full: Dear Mr. Editor in Chief, My life's absorbing activities of incessant work at the head of a newspaper without any

In an obituary published in the Tages Anzeiger of Zurich, Mario Gerteis draws a suggestive portrait of Celibidache in his youth. A nervous fiery ball, halfway between histrionics and insight, between passion and obsession. His dark locks hanging over his face in disorder,

Among all 20th-century great Romanian conductors, indubitably the most extravagant, original, paradoxical maestro of the baton remained Sergiu Celibidache. Perhaps only Herbert von Karajan enjoyed the status of absolute star during his life time as the Romanian conductor