Iona

*I intended to be concerned with literary form in this series of reportage. I can see I have done better than I expected. At the moment, my problem is preserving the chronological order of events. Our departure from Odessa was marked by a small, insignificant in fact, incident,

excerpt A few essential socio-economic mutations have occurred in Romania in the last decade. Gaining individual freedom, in addition to the possibility of free economic initiative, briefly, the first steps towards a market economy, had as an immediate consequence the need

Have you ever thought that no collection is being put together about us, the people of today, and that as a consequence we will not be represented in the museums of the future? Has anyone preserved samples of toilet paper of the last decade, has anyone deemed necessary to

Member of the Romanian Academy A Written Report at the Public Meeting on the 20th of April 1945 In every social group, may that be family, social class, nation, village, city, region, country, in every institution or social organization, an elite is automatically and spontaneously

I did not meet the great, indefatigable entomologist Aristide Caradja (1861-1955), but everything I have found out about him from firsthand sources has helped me understand he was a unique personality, an absolutely fascinating man. It is undoubtedly an indirect kind of

Employment of the words collection and collector seems to have a settled semantic buttressing and clarity in all its meanings. I do not think that there is such a collector who would look for an established definition of these terms in encyclopaedias. A collector is confident

Another bibliophilist concerned with theoretical problems related to rare, old book evaluation is Ion Iliescu, Aesthetics professor at the University of Timişoara, the possessor of a rich and valuable collection. Author of many papers on aesthetics (Course of General Aesthetics),

Painter and collector of icons, Sergiu Savin was born in Bucovina, at Horodnic. Although he is a native of Bucovina he left his village when he was a child, and went to Transylvania. He came in touch with his native land very late, when he was about 55. He wanted one day

The Romanian Peasant's Museum Motto: A photo is a secret about a secret. The more it tells you the less you know.  At the beginning of the 20th century, Alexandru Tzigara-Samurcaş1 was wandering around the villages of Oltenia and Bucovina, looking for folk art objects.

click here for Emil Sigerus museum Established in 1997, the museum is an institution which brings upfront the contribution that the Transylvanian Saxons made to the development and enrichment of Romanian and world culture in over 800 years of existence in Transylvania.

The museum is the beneficiary of the patrimony, programme, theme and structure of the Asociaţiunea (Association) Museum. The latter was the first museum of the Romanians in Transylvania, opened in 1905, then closed in 1950 out of political reasons. Inaugurated in 1993,

The old painting gallery of Ploieşti, established in 1931, represents the starting point of the Art Museum in Ploieşti, part of the current PrahovaCountyArt Museum. This painting gallery was established in the 1930's, very productive years for the appearance of galleries