Exhibition

Simplicity is not an end in art, but one arrives at simplicity in spite of oneself, in approaching the real sense of things. Simplicity is at bottom complexity and one must be nourished on its essence to understand its significance. Catalog of Brâncuşi exhibition, Brummer

For the sparkling sculptor of modern art, music represented a secret passion. It was only after the master's death that his close friends, V. G. Paleolog and Marcel Mihalovici revealed to the world the place the art of sounds took in the atmosphere of the mysterious

The Chimera, a sculpture carved in oak wood between 1915 and 1917-18, currently exhibited at the Philadelphia Museum of Art, has so far attracted but limited exegesis. Petru Comarnescu, in a conference held in Craiova in 1957, made reference to the body streamlined as to

In a holographic note drawn up in Romanian in the third person, Brâncuşi speaks about himself as about someone else and makes an important remark in connection with his relationship with materials. Turned down in 1910, he exhibited fully carved stone and marble for the

We think too often that a museum is a repository where you discard all sorts of objects. Arts, history, natural sciences, technology, curiosities. You place exhibits from all these domains into bright and spacious halls; you range them nicely one next to the other and sometimes

Let us not be deceived by articles and books issued by courtesy or for which we pay, and this so seldom. We are not loved abroad. Even if people remember the fine welcome we give people – which is so comprehensive according to the customs, and at times even sufficiently

From The Procrustean Bed Add to these criteria of a physical nature the old preconceived idea of talent. As is known, talent is discovered thus: a boy or a girl, choking with stage fright, before a long table at which a commission are sitting, start declaiming Gens Latina

Representing dance and dancers is not infrequent in Romanian art. From the famous Hora by Tattarescu, at the end of the 19th century, to the series of Căluşarii of Magdalena Rădulescu by the middle of the 20th century, various painters aimed at getting something from

What impresses from the beginning at Simona Şomăcescu, is an extraordinary self-devotion through dancing, which lights up from within, like a flame, the character's personality. A vast and generous movement, a movement that fills the stage and seems to transform the

None of the totalitarian regimes of this century had any particular liking for the modern art trends and made them eventually disappear from the area controlled by them. Too free a manifestation of one's personality meant escaping their power. In Nazi Germany just as

Karine Saporta is considered one of the most prestigious personalities of contemporary European dance. With higher education in philosophy and sociology in France and the USA, she has continuously developed her research in the direction of dance, from video to photography.

Mălina Andrei is yet another young creator whose presence is being increasingly felt in our choreographic landscape. This year she will graduate from the Academy of Theater and Motion Pictures, the choreography section, but she already teaches contemporary dancing at the