Exhibition

Architecture represents a means of interrogating history. Rather ominous, it is to be feared, when the question applies to the Romanian capital. Why so? The way Bucharest has been subjected to transformations in the last century accounts for the living changes affecting

In the heart of Romania's Capital stands the monumental building of the Romanian Athenaeum, the symbolic edifice of the most significant musical events ever since 1889 and, at the same time, the cradle of the International George Enescu Festival. There is no musical

What is one supposed to understand by image and to what extent should one take it to heart? Physiologically, the image is the consciousness one is left with about an absent object. It is, therefore, the opposite of perception, i. e. representation of a present object. In

Director It was March 29, 1832 when the commissar of the Red District of Bucharest replied to Postelnic (Minister of Foreign Affairs) Costache Grigore Suţu with an approval to resume the works on the surrounding wall of the garden You have begun to raise. Symbolically

excerptsThe Beginnings With the passage of time the ancient road was called by sundry names: lane, bridge, promenade – as if it needed any name or title, this street of streets whose reign over the city goes back two hundred years. Victory Promenade! The Nation's

excerpt Lying on the hot tile floor, Brave Leader was reaching back and scratching his ass with the Romanian people. What he lovingly called the Romanian people was in fact a tiny little bathroom brush with ivory engravings, which he never parted with, and liked to have

Simplicity is not an end in art, but one arrives at simplicity in spite of oneself, in approaching the real sense of things. Simplicity is at bottom complexity and one must be nourished on its essence to understand its significance. Catalog of Brâncuşi exhibition, Brummer

For the sparkling sculptor of modern art, music represented a secret passion. It was only after the master's death that his close friends, V. G. Paleolog and Marcel Mihalovici revealed to the world the place the art of sounds took in the atmosphere of the mysterious

The Chimera, a sculpture carved in oak wood between 1915 and 1917-18, currently exhibited at the Philadelphia Museum of Art, has so far attracted but limited exegesis. Petru Comarnescu, in a conference held in Craiova in 1957, made reference to the body streamlined as to

In a holographic note drawn up in Romanian in the third person, Brâncuşi speaks about himself as about someone else and makes an important remark in connection with his relationship with materials. Turned down in 1910, he exhibited fully carved stone and marble for the

We think too often that a museum is a repository where you discard all sorts of objects. Arts, history, natural sciences, technology, curiosities. You place exhibits from all these domains into bright and spacious halls; you range them nicely one next to the other and sometimes

Let us not be deceived by articles and books issued by courtesy or for which we pay, and this so seldom. We are not loved abroad. Even if people remember the fine welcome we give people – which is so comprehensive according to the customs, and at times even sufficiently