Erwin kessler

Corneliu MICHAILESCU (Bucharest, 1887-Bucharest, 1965) is one of the less known Romanian avant-garde artists, with a particular although somehow exemplar creative itinerary. Despite his relatively long life and apparently static development, he is one of the rare Romanian

This issue is dedicated to some of the most significant bizarre, atypical figures in Romanian literature. Although it consists of a selection of literary sketches and fragments of novels, it can be best described as an anthology of twentieth-century poetic prose, stretching

Artists are wanderers par excellence. This is the case not only for the itinerant artists of the Middle Ages, those architects, stone-carvers, painters and stained-glass artists that moved their workshops all around Europe, building and embellishing cathedrals here and there.

Journeying to people instead of places is the reverse of the current, holiday-bound view on travels. Indeed, the projected picturesque of the surprising landscapes is the main constituent mesmerizing people into moving at great distances, sometimes despite the difficulties

Just think that I paid it once, and it pays me off a lifetime instead. * Zambaccian on a canvas by Pallady Having great collectors represents as big a chance for a culture as having great artists. Flourishing arts are hardly imaginable when wealthy art-lovers are missing,

It seems almost provocative to launch such an issue on the local pleasures, pastimes and delights, while nowadays a troublesome Romania appears as plunged into unending economic and social difficulties, striving to cope with various shortcomings and weaknesses. However,

European travelers such as Antonio Maria del Chiaro were struck long time ago by the uncommon abundance of woolen carpets in each Romanian home, be it aristocratic, bourgeois or peasant. Carpets were laid mainly onto the walls of the rooms, but they also covered the beds,

The experimental artist Grigorescu Ion has forged himself some time ago out of the painter Ion Grigorescu. Indeed, in Romanian it is rather unusual for an adult to put his family name before the forename. Customarily, this happens in official documents or in school registers,

I have never met Ştefan Bertalan. A founder of the sigma group in Timishoara, the most influential hub of constructivist experimentalism in Romanian art, Bertalan has always seemed to me somehow ill-timed, included in the canon, and confined therein. I came once into contact

At first sight, nothing could be more reasonable or understandable than the illustration of the present issue of PLURAL. As the texts spin around the sexual obsession in Romanian literature, running from Creanga`s licentious Tale of All Tales to Agopian and Aldulescu`s swank,

Minority ethnic groups have usually developed some separate cultures within the larger framework of the majority. Their particular language and specific customs generally single out such societies. From the cultural point of view, the main characteristics of a minority society

Le peintre Theodor Pallady est né en 1871 à Jassy d'une ancienne famille de boyards moldaves, et il est mort à Bucarest en 1956. La soeur de son grand père, Basile Cantacuzino, était mariée à Puvis de Chavannes. Pourtant, l'éducation de Pallady commence