Dialog

Origins. In Experimentalism in Romanian Choreographic Art between the 60's and the 90's, published in 1997, Liana Tugearu made the following remarks: After a very short period of storing and decanting, a few young dancers broke away from the established companies

I have often wondered why dance should necessarily be accompanied by music. The lines of a poem have their own sounds, rhythm and balance. Poetry is not made of such stuff as ideas, dreams or feelings, but of words, and their worldly counterpart, the sounds. Even the prose

Should we try to mark on the map of Europe the places where, during the last twenty years, the first Romanian ballet masters have been shining, whose names figure in international dictionaries of dance, we would have to cover the map from Stuttgart to the Canary Islands

There are chances in life. I have made mention of it before and will not hesitate to repeat it. To some of them we turn a blind eye; for others we may knowingly not have the just power of judgment and pondering. Or, that of turning something to good account. Floria Capsali

A first attempt at collecting in a book texts on personalities of Romanian dance or who have spent a decisive stage in their formation within the framework and in the atmosphere of a Romanian school is bound to be controversial. Although partial and subjective, the present

The Romanians from Down Under To my Victoria from the South Pacific IslandsKo te mana o tenei matenga whetu aianeE poturi i ro o te rangi e piki mai* In Aotearoa (New Zealand), I met happy Romanians. Their happiness was either blended with sadness, or boosted up by it.

excerpts Chapter IIIThe Nature of the Being  (…) Anybody who knows this nation will agree that the Romanian is a born opponent. Whatever is proposed to him, his first reaction, the first temptation of his thought is to oppose it. But, strangely, his opposition does not

Mihaela Marinescu: Did you know maestro Ionel Perlea before visiting him in New York in 1967?Theodor Grigoriu: No, I didn't, he had left the country a long time before. He was a legend to my generation, like Enescu, like Lipatti. Before my trip to the United States

Of all the great 20th century conductors, Egizio Massini was the only one who distinguished himself equally in three different fields (opera, symphonic music, and fanfare). Even if he made tours abroad conducting all threes types of music, opera was the genre that distinguished

In an obituary published in the Tages Anzeiger of Zurich, Mario Gerteis draws a suggestive portrait of Celibidache in his youth. A nervous fiery ball, halfway between histrionics and insight, between passion and obsession. His dark locks hanging over his face in disorder,

The idea of this anthology has been haunting me for a long time. Respect, fear, admiration, even fascination made me postpone incessantly such an attractive project. What would be the framework? How would so many strong personalities, volcanic tempers cohabit between the

Showing the electors' arrival in Frankfurt due to the crowning of Joseph II as King of Rome, Goethe mentions the fact that among the most obedient and distinguished personalities some had ridden to Frankfurt according to the old traditional custom, while others had