Cultura

The Romanian Peasant's Museum Motto: A photo is a secret about a secret. The more it tells you the less you know.  At the beginning of the 20th century, Alexandru Tzigara-Samurcaş1 was wandering around the villages of Oltenia and Bucovina, looking for folk art objects.

click here for Emil Sigerus museum Established in 1997, the museum is an institution which brings upfront the contribution that the Transylvanian Saxons made to the development and enrichment of Romanian and world culture in over 800 years of existence in Transylvania.

The museum is the beneficiary of the patrimony, programme, theme and structure of the Asociaţiunea (Association) Museum. The latter was the first museum of the Romanians in Transylvania, opened in 1905, then closed in 1950 out of political reasons. Inaugurated in 1993,

Shortly after World War I a new name amidst art collectors in the know started to compel recognition: that of poet Ion Minulescu. At that time, more intensely than in previous years, he would, due among others to his obligations as Director General of the Arts, visit exhibitions,

Just think that I paid it once, and it pays me off a lifetime instead. * Zambaccian on a canvas by Pallady Having great collectors represents as big a chance for a culture as having great artists. Flourishing arts are hardly imaginable when wealthy art-lovers are missing,

After having been closed for consolidation, restoration and reorganization, the Museum of Art Collections, housed by the former Romanit Palace, restores to circulation fourteen collections, exhibited in the building facing the Grivita Road. The building was closed in 1986

Director, Museum of Art Collections A magic and impartial destiny decided that, at the celebration of a century since the materialization of the idea of art collection and art collector, the reopening of a Palace of Collections should take place. An initiative, disputed

Writer and literary critic, historian and diplomat, Marcu Beza, of Aromanian origin, was born at Salonika in 1882. He attended courses in letters and philosophy under Titu Maiorescu, then obtained a scholarship in London, where he promoted Romanian culture and literature.

The chance passers-by through the quiet Cotroceni neighbourhood could discover, at the end of a well tended garden, a two-storey house with no other adornment than its iron-wrought latticework. What was strange was that leaning against the wall separating it from the house

Fotografii: Mihail Cratofil Traducere în limba engleză: Samuel Onn Traducere în limba ucraineană: Alexandrina Cernov, Ilie Luceac Traducere în limba germană: Mariana Koch Albumul conţine o scurtă introducere în care este prezentată istoria de şase sute de

22 Spătarului Street, Bucharest (see also in Romanian with illustration)  The siblings Béatrice and Hrandt Avakian set up their collections independently, nevertheless evincing a shared predilection towards Eastern art, to be accounted for among others, perhaps, by the

Once, the art lover, strolling along the streets of Bucharest, would stop in front of certain houses – either known to him or not – that confined within their walls innumerable works of art. Around these art works there endured a name, that of the people who had gathered