Bled

Michel Bührer: Bucharest A Cannibal City and White Billboards exhibition at the National Museum of Contemporary Art, 10-11 2008 Bucharest, a “Little Paris” of the ghettoThe exhibition of the Swiss Journalist Michel Bührer, Bucharest, a Cannibal City/White Billboards

I no longer love Bucharest. I'm no longer hoping something can be done about this dump of Europe An interview with Mircea Cărtărescu by Ion Longin Popescu Slowly but surely, the old, historic Bucharest – the little that was left after Ceauşescu's demolishing

Cismigiu gardens, Icoanei park, Kiseleff park (see also The green within in Gallery). Many of Bucharest’s gardens and parks, which no longer exist because of extensive urban reorganising, were shaped as the aristocracy tastefully redesigned the open space around their

1st row: National History Museum, Old Court Museum, Archeology Museum (detail), National Museum of Art2nd row: Collections Museum, Zambaccian Museum, Theodor Aman Museum, Gh. Tattarescu Museum 3rd row: Storck Museum, Romanian Peasant Museum, Astronomical Observatory (detail),

Bucharest is a city in search of identity. Its precise moment of birth is unknown, for the Cetatea Dîmboviţei of the 14th and 15th centuries only played host to its rulers when they occasionally came to ward off threats from south of the Danube or Hungarian attacks form

When on the 20th of September, 1459, the throne of Wallachia moved from Târgovişte to Bucharest, the new settlement, which was lying along Dâmboviţa River, was a picturesque settlement, with slow hills, lakes and boundless orchards and especially with venerable forests.

An ancient symbol of war, because of its reddish color, Mars started with a low profile in the gallery of inhabited worlds. Up till the 19th century, it could bear no comparison with the Moon. In his Itinerarium exstaticum (1656), Athanasius Kircher (1601-1680) proposed

A Word with Two Meanings We invent words, then let ourselves be subjugated by them. There would be no knowledge without words, but it is words again that grow into independent entities, obstacles that come between us and the real world. They move us closer to and at the

An Individual without Individualism To a new society – a new man. Naturally, one would not fancy a communist world inhabited by middle-class people in disguise. That was the most delicate problem raised by transformist mythology. One could not rebuild the economy and

For writers are all jesters, and all the jests together: Literature  In the history of literature, Tristan Tzara is regarded as the founder of Dada, an international literary and artistic movement, born in Zurich in 1916, with ramifications and outposts across three continents.

A Message to the International Surrealist Movement  We address ourselves to our surrealist friends scattered all over the world and, as in great shipwrecks, we indicate to them our exact location, at latitude 44° 5' North and longitude 26° East. The inexhaustible

As everything modern, the fantastic mode, which seems to be still one of our great favorites in these last years of the modern millennium is to be defined through the series of transformations of the traditional forms of the fantastic art. In her excellent reference book