Artisti

In a holographic note drawn up in Romanian in the third person, Brâncuşi speaks about himself as about someone else and makes an important remark in connection with his relationship with materials. Turned down in 1910, he exhibited fully carved stone and marble for the

When at only 19, Nicolae Iorga (1871-1940) defended his university degree examinations one of his examining professors characterized him as a true phenomenon both in point of memory and power of ratiocination. Then Iorga worked hard in Paris and in Germany, obtaining a

As a princely seat Bucharest was once, for the Romanian authorities, a citadel watched over by God just like Byzantium was for the Eastern Christian world. Then, naturally, it was also the place where scholars needed by the Prince's Chancellery made their studies. They

We think too often that a museum is a repository where you discard all sorts of objects. Arts, history, natural sciences, technology, curiosities. You place exhibits from all these domains into bright and spacious halls; you range them nicely one next to the other and sometimes

Women artists (originally women-painters) became a reality in Romanian culture only by the turn of the 20th century. Barely having an artistic tradition of the western kind (that is, academic), the national cultural milieu in the 19th century was rather deprived of a professionally

At the same time, the great Russian also remarked that woman is always what we want to make of her. Femininity triggers off creative energies. Through it, the Author dominates the epic matter, and this helps him complete his plan, plot, work. Femininity delays the end by

From The Procrustean Bed Add to these criteria of a physical nature the old preconceived idea of talent. As is known, talent is discovered thus: a boy or a girl, choking with stage fright, before a long table at which a commission are sitting, start declaiming Gens Latina

There are masterpieces of musical drama the destiny of which became final in the history of opera owing to singers with a flash of genius. Seemingly, this is how Puccini's Tosca was born, whose protagonist, a superb Romanian soprano from Brăila, lend brilliancy to

The Secret Correspondence between Mihai Eminescu and Veronica Micle Halfway through last year, a genuine editor's bomb was being thrown on our cultural market: the Polirom publishing house based in Iaşi had issued – and was launching on 15 June – a volume of secret

I saw an ad in newspapers about a trip to the mountains and I got in without knowing anybody. About 30 of us crowded in a big race vehicle, so boys and girls, parcels, cigarette smoke, and jokes mixed up together at random. A certain Biţă was speaking in my ear untiringly.

The bibliography of my works I threw into the pyre included a 125-pages psychoanalytical study about Iulia Hasdeu. I had discovered her diaristic notes at the State Archives. They were then, and still are, a novelty, and perhaps a sensational thing; I'm talking about

excerpts IThe Tomb The Royal Church bells of the townlet of Bucharest were pealing rhythmically in a mournful voice, whilst, from the hillock in sight, the small-rounded belfry of Bucur's little church was echoing back the toll in a wailing-remote fashion. It was