ULB

The wire that I had failed to see hit me below my knees. The earth turned, the boles propped against the stars somersaulted and I no longer heard the whistles. The red bells started to toll. Whipped up by the rain, the smell of weed and death that had simply been the breath

excerpt1 Day was a-dawning sluggishly on Saints Eusignius, Nona and Fabius, a Saturday as it happened; like unto a blunt blade scraping at the gloom caked all over our bodies did the daybreak appear, and impotent, too. The bells tolled half-heartedly and a thin film of

excerpt I am going to tell you of things that happened back in 1960 or 1961, when I was still a little girl, no more than 12 years old. I was living with my family in Moşilor Street, in one of those queer houses, with the second floor protruding a little, with two very

If you read travel notes by simple tourists or people on journalistic, cultural or political assignments, from the 1920s or 30s, if you peruse recurrent images about a Bucharest imprinted with evil or good charms, equally decrypted and encoded, moving and repulsive, you

Among the foreign writers who passed through or stayed in Bucharest and who, on this occasion, wrote their impressions, is Franz Joseph Sulzer. He was from German Switzerland; he joined the Austrian army and due to his achievements became a captain. In 1776, Sulzer was invited

excerpts In the large house of the Barbus, in the Mogoşoaia Bridge Street, the main staircase was guarded by two bronze moors, carrying huge, crystal lamps. Upstairs, you climbed to the boyar's dwelling. Under the first steps, however, a narrow door opened toward the

'Make your stores - they're cutting it off,' calls the bobby, pushing the entrance door ajar. And every member of the household hurries to grab a pail, a mug or any of the tinier pots and pans, dashing forward to the tap (the house is endowed with a tap -

The only self-relying public dance company in Romania, the Oleg Danovski Ballet Theater carries out an extremely complex and sustained activity mirrored in the diversity of its productions and projects. In 1999 the company opened its gates to the personalities of the Romanian

Reporter: You returned to the company that made you famous, the company that you are emotionally attached to and where we hope you will return. I'd suggest that we should evoke the circumstances in which you arrived at the Ballet Company called Fantasio then [in the

Having reached its fourth edition, the National Ballet Contest for dancers between 12 and 26, organized by the Theatre of Classical and Contemporary Ballet in Constanţa, presided by the maestro Oleg Danovski, under the care of The National Dance Committee of Romania, whose

Contemporary dance choreographers work on gestures. They do not necessarily have to be beautiful or interesting, but simply natural. Every single emotion expressed. The dancer always performs something, interprets something, lives that moment either through gesture, movement

Origins. In Experimentalism in Romanian Choreographic Art between the 60's and the 90's, published in 1997, Liana Tugearu made the following remarks: After a very short period of storing and decanting, a few young dancers broke away from the established companies