Publicație dedicată artelor scenice românești, editată de ICR
Romanian Performing Arts. Perspectives - CuprinsIrina Ionescu IntroAlice Georgescu An Alternative View of Alternative TheatreIulia Popovici Stage Politics in Contemporary Romanian TheatreMonica Andronescu Independent Theatre in Bucharest Entertainment beats ExperimentLudmila
Nr. 91 / toamna 2014
Sumar nr. 91RetrospectiveWarren Breckman – Puterea și golul: democrația radicală, postmarxismul și momentul MachiavelliDialog Esprit – Robert Morrissey: Napoleon și legitimitatea politică modernăKeith Gessen – Necugetatul întemeietor al formalismuluiArte vizualeColm
Nr. 90 / vara 2014
SUMAR Nr. 90 Retrospective Michael Walzer – Evrei imaginari Rodica Binder – Europa și „țiganii”: între clișee, prejudecăți și realități Philippe Videlier – Supraviețuitorul de pe Potemkin Thanassis Valtinos – Nevoie urgentă de un(t)delemn Benjamin
Nr. 89 / primăvara 2014
SUMAR Nr. 89 Retrospective Adam Hochschild – Orwell: Omagiu „Omagiului” Patrick Leigh Fermor – București Rodica Binder – Rãzboiul și meterezele memoriei Karim Saab – Belgia în 1914, un tablou Thomas Atenga – O traiectorie intelectualã în Camerun Arte
2009
Jurnalul Naţional, 24 noiembrie 2009 Autor: Costin Anghel Cântecul românesc s-a făcut auzit serile trecute în inima Timocului sârbesc, la Bor. România a trimis la fraţii ei mai mici pe unul dintre cei mai de seamă interpreţi ai ţării, pe maestrul Tudor Gheorghe.
A Landmark On The European Map: The Dimitrie Gusti National Village Museum
Historian The National Village Museum in Bucharest is the kind of museum in which the traditional exhibition halls are replaced by authentic households, consisting of dwellings and their extensions, technical devices, churches and triptychs transplanted from their places
Tanase Scatiu
excerpts The carriage was hardly making any progress along the muddy road. The field was oozing with water. Night was creeping down and the cold turned the clods numb and stiff, while the small pools of water around gained a thin crust of ice, which made it even more difficult
The Life And Times Of Andrei Mihai Stan
Writing an oral history of a ten-year-old child may seem like a perfectly absurd enterprise any day of the week. The social experience of an individual of ten would not recommend an approach of this kind. With such a person it cannot be a matter of immediate memory. Hence
Lalalilu Or The Stolen Childhood Of Romanian Film
click here to see trailer Present-day Romanian film lives a new childhood, if we consider at least the representatives of the New Wave, who are young and very young film directors with ages between 20 and 30. That is why their films are naïve, very close to childhood or
Across The Border
THE CLASS TEACH' You don't fool me, Ghiţulescu! You've got Kents, bless your wallet! Throw one over, 'cause I'm poor, my mother's unemployed and keeps me only on shots of glucose, she has no food to give me. Come ooooooon, please! Ghiţulescu
The Delta Dictionary
excerpts Abroad. An incredibly large number of young people have gone abroad. To study, to work. The ego of those living in the countryside is much bigger. On entering Sarinasuf, there is only the sign marking the exit from the village. The sign that marks the entrance
When Dream, Play And Innocence Are Serious
Where do I come from? I come from my childhood. I come from my childhood as from a country. Antoine de Saint-Exupery Is fascination with childhood a convention? No, inasmuch as, for most of us, childhood was filled with wonderful things and games, fairy tales and ingenuity,