Romanian

Edited in EnglishThese photographers and cameramen – champions of expressive imagery, of the impeccably framed photograph taken under enamy fire and of exciting and sometimes even humorous subject matter – have no name and no face – even less so than their subjects,

Translation: Samuel Onn„Octavian Saiu's passionately written, intellectually penetrating and historically informed book bases itself on three contemporary and adventurously experimental productions of Hamlet: one in New York, one in Berlin and the other in London.

Dialogul Cultural Europa-China, Spații publice și poduri între culturi la Palatul Parlamentului din Bucureşti – MODERNISM. roautor: Cosmin Năsui 21 octombrie 2014 Dialogul Cultural Europa-China (1) Dialogul Cultural Europa-China (2)În perioada 15-17 octombrie 2014

The Monasteries of Oltenia. Art and spiritualityTexts by Elisabeta Negrău and Vlad Bedros Edited and afterword by Father Iustin Marchiș English version by Samuel Onn Photographs by Dan Dinescu and Daniel Constantinescu ISBN 978-973-577-649-7 360 pag Contents 1. Elisabeta

„Triumful României şi „noii regi ai festivalurilor – ZIARUL DE DUMINICĂ6 ianuarie 2012 Pe 29 decembrie Furia (foto 4) şi pe 30, Boogie (foto 5), cele două filme ale lui Radu Muntean, programate la Filmoteca din Madrid, încheie Zilele filmului românesc organizate

ISBN 978-973-577-634-3 72 p.

Turneu internaţional de promovare a Festivalului Enescu, organizat de ICR - AGERPRES 31 ianuarie 2011 Institutul Cultural Român va organiza un amplu turneu internaţional dedicat promovării Festivalului Internaţional George Enescu şi creaţiei compozitorului român,

Consultant istoric: Andrei Pippidi Concepţie grafică: Gianini Georgescu Traducere în limba engleză: Anca Brătuleanu, Magda Teodorescu. Review: Jeremy Howard. (. . . ) portretele au fost descoperite pe parcursul unor cercetări începute din dorinţa de a elucida

Broşură de prezentare a Institutului Cultural Român, în limba română, engleză, franceză, germană, spaniolă şi italiană. An: 2010

Animals have well-defined pigeonholes assigned by the traditional Romanian mindset. From wee to huge, all creatures are cast in distinct roles that any inhabitant of temperate geographical areas will recognize: hardworking as an ant (or bee), stupid as a goose, haughty as

see image A widely-spread carnivorous mammal, the fox has been drawn to the attention of the people ever since early Antiquity, remaining throughout the ages the most steadfast symbol of slyness, cunningness, cruelty and cynicism. Totemic animals from one region in the

See Gallery One would wonder why the ox is so preferred by most of the Romanian landscape painters at the turn of the century. One reason is a name, Barbizon. Both Nicolae Grigorescu and Ion Andreescu, the leaders of the generation, were configuring their artistic project