RFI

„Transylvania Retouched. A Matter of Landscape and Representation”, un proiect expozițional itinerant inițiat de Institutul Cultural Român din Berlin în iunie 2019, este  prezentat și în România, la Galeria de artă contemporană Magma Sfântu Gheorghe (18. 09-

SUMAR Nr. 79 Pagini autobiografice Marina Ţvetaeva – Carnete Arkadi Babcenko – Cercul războiului Felicia Antip – Fereastra dintre vremi Ion Vianu – Matei Călinescu, Ion Vianu: Istoria unei corespondenţe In memoriam B. ELVIN Felicia Antip, George Banu,

Dialogul Cultural Europa-China, Spații publice și poduri între culturi la Palatul Parlamentului din Bucureşti – MODERNISM. roautor: Cosmin Năsui 21 octombrie 2014 Dialogul Cultural Europa-China (1) Dialogul Cultural Europa-China (2)În perioada 15-17 octombrie 2014

The apprentice I have already told you about had a whole year's hunting under his belt. Quite a poor campaign it had been, with only a few victories, yet rich in teaching and personal observation. The woodcocks darted through the twilight sky of a meadow like huge bats;

Mythology, just like the vernacular, is a product of the folk spirit that does not excel in speculation but finds an unconscious, spontaneous, inspired, and not-at-all roundabout way of expression. Mythology presents in all sincerity the attitude of primitive man towards

see Gallery The cultural and historical essence, identity and creative source of a nation all reside in its cultural heritage. It therefore has considerable historical, aesthetic, sociological and scientific value, and should be protected by society through laws, institutions

Life is nothing but a perpetual interrogation mark placed above that strange and intriguing image of our very own childhood… and where does it even start to provoke our conscience? Remember that grumpy and oversized street, your everyday neighbors that couldn't restrain

A native of Constanta born under the sign of Cancer, therefore dependent on the sea, the sun, the sand and the seagulls, a couple of months ago I moved to Vienna (no sight of the sea), after having spent four years in Bucharest (no sight of the sea) during my years of college

Is every city like this? I’m standing on my balcony, looking down onto a busy car park where a space costs €8 per day. The car alarms are beeping, howling and wailing. It spreads like a virus down the street. Nobody seems to mind. Young men and women stand around in

Newspapers have recently brought to us the information that Bucharest is one of the noisiest cities in Europe. When it comes to bad things, few people do a better job than us at reaching the superlative. As far as I am concerned, I did not need the press to identify the

I no longer love Bucharest. I'm no longer hoping something can be done about this dump of Europe An interview with Mircea Cărtărescu by Ion Longin Popescu Slowly but surely, the old, historic Bucharest – the little that was left after Ceauşescu's demolishing

Bucharest is a city in search of identity. Its precise moment of birth is unknown, for the Cetatea Dîmboviţei of the 14th and 15th centuries only played host to its rulers when they occasionally came to ward off threats from south of the Danube or Hungarian attacks form