Perspectives

The Secret Correspondence between Mihai Eminescu and Veronica Micle Halfway through last year, a genuine editor's bomb was being thrown on our cultural market: the Polirom publishing house based in Iaşi had issued – and was launching on 15 June – a volume of secret

Slowly but certainly, the world of the Romanian dance submits to the process of decentralization, typical to transition even if it undergoes it unconsciously. Bucharest doesn't have, anymore, the monopoly of the important events: in Constanţa there is a group of classical

Chapter IIROMANIANISM AND AUTOCHTHONISMexcerpts Continuing the clash of ideas of the previous decades, the 1930s too witnessed a confrontation on the evolution formula of the Romanian make-up. Two directions were pitted against each other. One favorable to the maintenance

excerpts We have wondered many times if it is possible to find or to hypothetically build a matrix-space, or an unconscious spatial horizon, as an underlying spiritual layer for the Romanian folk culture anonymous creations. The subject is worth the risk of any and all

Now and then, some people group together to form a team. They do it in order to set up a company, to enact a play, or to make music. They can manage by themselves as long as a family business, a play with quite a few characters or an evening of chamber music is concerned.

Showing the electors' arrival in Frankfurt due to the crowning of Joseph II as King of Rome, Goethe mentions the fact that among the most obedient and distinguished personalities some had ridden to Frankfurt according to the old traditional custom, while others had

Explanation Je lis comme je voudrais qu'on me lise: c'est à dire très lentement. André Gide A book written clearly. Clarity, being one of the three conditions required for a work according to France, the author claims it as a merit, although he is absolutely

The Romanian Peasant's Museum Motto: A photo is a secret about a secret. The more it tells you the less you know.  At the beginning of the 20th century, Alexandru Tzigara-Samurcaş1 was wandering around the villages of Oltenia and Bucovina, looking for folk art objects.

Safta was a victim of her past of love affairs and amorous generosity, but also of the human decay from the madhouse times and from all times. The former chanteuse had decided, the night when she ordered the enamoured shopkeeper to break the fiddles of the fiddlers, to give

With the no. 25 issue, Freaks and Outlaws, the PLURAL collection embarks on a new, semestrial series, donning a new design and proposing more exciting themes. Our aim, though, remains the same: to reinstate the connection, and at the same time highlight the connections,

excerpts  I passed the entrance exam in philology at Cluj, but I was already bored after my freshman year. I had the best results in my class, but that was not my place. Whenever I danced at parties, and I felt the boys' knees splitting my legs through my dress, my

Romania is a national state, at least that is what every Romanian constitution agrees upon, and more than 20 national minorities, which are represented in the Romanian parliament, live on the territory of this state. It is not at all easy to live among such ethnic diversity,