Occident

Otro recuerdo de infancia, que me traumatizó, se relaciona con lo precedente… No sé si debo relatarlo. Pero al fin y al cabo, todo debe decirse. Quizás tuviera que decirlo de otro modo, en un estilo transpuesto, como se dice, para que no se sepa si me pertenece o no,

18 de agosto de 1950Mi querido, mi querida: Os tengo prometido escribiros a diario, cual prueba del cuidado que les profeso en los tiempos turbios que el mundo está atravesando y del cariňo que mi pensamiento acompaňa la vida. A veces se me olvida que nos separan

A Word with Two Meanings We invent words, then let ourselves be subjugated by them. There would be no knowledge without words, but it is words again that grow into independent entities, obstacles that come between us and the real world. They move us closer to and at the

CHAPTER I Structures and Methods An Ambiguous Condition What if the history of the imaginary did not exist? Beyond all paradox, the question deserves to be raised. Following a hectic and contorted history, this discipline is hindered by theoretical and ideological difficulties.

Recently Echinox published the translation of Paul Morand's Bucharest (1935), a book that must be put in line with Ulysse de Marsillac's From Pest to Bucharest (1869), F. Damé's Bucharest in 1906, and Dominique Fernandez' Romanian Rhapsody (1998), in

Among the foreign writers who passed through or stayed in Bucharest and who, on this occasion, wrote their impressions, is Franz Joseph Sulzer. He was from German Switzerland; he joined the Austrian army and due to his achievements became a captain. In 1776, Sulzer was invited

It is well known that Mircea Eliade lived numerous experiences of otherness and exile in countries such as India, France, Portugal, America, but it is only in the last that he remained for twenty-seven years. Eliade's perspective on America is somehow indebted to the

Titu Maiorescu's diary is an unprecedented publishing event and, in its own way, unique in Romanian literature, by both the nature and value of the notes and by the length in time it covers – 62 years – and by the age of the author who had barely turned 15 when

Toward the end of the Middle Ages, the Romanians, until then living in their traditional peasant autonomies, which stand for an entire, complete political order with archaic roots, arrived, after the abolition of anarchy, at their boundaries and, on one side, because of

Conductor Constantin Silvestri's first contact with the music of the Occidental world represented a shock because the entire classical and modern music deeply imprinted on the consciousness of the public was utterly shaken by a new, contemporary, vital spark of the

* It's not easy being a Romanian writer. There is a double misunderstanding regarding the perception of Romanian culture abroad. Before referring to it, I must say that the idea of national writer is itself a misunderstanding. If in sport a sort of benign vanity makes

In a recent French translation Old-Court Philanderers have made quite a sensation. Different from Panait Istrati whose epic caught our attention, Mateiu I. Caragiale is not so good at describing a certain medium; his force lies in his rhythm, his intimate thrill, his sentence