Nicolae Grigorescu

A apărut noul număr, 106, al revistei Lettre Internationale, editată de Institutul Cultural Român. SUMAR Nr. 106 ISTORICE Șerban Pavelescu – Păcile României Mari 3 Emilia Cernăianu – Însemnările unui luptător: N. N. Tonitza 8 Steluţa Boroghină

Album bilingv (engleză-franceză) realizat împreună cu Galeria Oudin (Paris) Texte de Alain Oudin, Sebastien Gokalp, Jannick Thiroux. Christian Paraschiv a absolvit Institutul de Arte Plastice „Nicolae Grigorescu“ din Bucureşti, în 1978. În anul

„Bulacu a debutat cu motive figurative voit banale, prin tatonarea intimității casnice (…), a întâlnit apoi, muzeal, armurăriile, a bifat teme mito-culturale (Ciclopul, Oglinda, Metamorfoza etc), și-a adjudecat câteva prezențe animaliere (oaia jupuită, capul

See Gallery One would wonder why the ox is so preferred by most of the Romanian landscape painters at the turn of the century. One reason is a name, Barbizon. Both Nicolae Grigorescu and Ion Andreescu, the leaders of the generation, were configuring their artistic project

see Gallery The Story of the Pig is one of Ion Creanga's loveliest stories. The story of the pig in contemporary Romanian art is, in its turn, one of the most exciting. The image of the pig in current art ranks, unexpectedly, among the most significant and consistent

Ediţie bilingvă (română-engleză) Selecţie fragmente presă şi cataloage: Anca Arghir, Horia Bernea, Florin Ciubotaru, Cornel Radu Constantinescu, Adrian Guţă, Dan Hăulică, Iolanda Malamen, Aurelia Mocanu, Andrei Pleşu, Pavel Şuşară, Alexandra Titu, Gheorghe

Grigore Antipa Museum of Natural History and Geology Museum and Institute The beginnings of Romanian geology and paleontology are closely connected to the name of a great scholar, who opened up the way: Gregoriu Stefanescu. An extremely complex scientist, whose contribution

1st row: National History Museum, Old Court Museum, Archeology Museum (detail), National Museum of Art2nd row: Collections Museum, Zambaccian Museum, Theodor Aman Museum, Gh. Tattarescu Museum 3rd row: Storck Museum, Romanian Peasant Museum, Astronomical Observatory (detail),

„Amer savoir, celui qu'on tire du voyage ! Le monde monotone et petit, aujourd'hui, Hier, demain, toujours, nous fait voir notre image: Une oisis d'horreur dans un désert d'ennui ! (Ch. Baudelaire, Le voyage) („ ¡Amarga enseňanza que uno saca

Paul Neagu's Century Cross was set up at Charles de Gaulle Plaza (the former TelevisionPlaza), Bucharest, in September 1997, as a memento of the 1989 anti-Communist riots. It is a six meter wide lenticular bronze disk with a large cross pattern on both faces made up

The history of Bucharest art museums begins in 1836, when the painter Carol Wallenstein inaugurated the first of them on the premises of St. Sava high school. In 1864, the School of Fine Arts was established. The concept of a museum exists in every art collection, thus many

As a princely seat Bucharest was once, for the Romanian authorities, a citadel watched over by God just like Byzantium was for the Eastern Christian world. Then, naturally, it was also the place where scholars needed by the Prince's Chancellery made their studies. They