Manifest

Georges de Bellio, 1894 (oil on canvas) by Giovanni Boldini (1842-1931) Among phenomena adjacent to art, art collecting is known as representing a consequence of the rapports art-artist-society, and as quite sensitive to the evolution of style and society's conduct

If ever I ventured to write a treatise on the savoir vivre, I would not neglect to address, in an entire chapter, the art of whiling away. It seems to me that this type of happiness – which is, equally, an admirable instrument of knowledge – has long been forgotten.

The English-speaking people do not have a perfect equivalent for the French joie de vivre. The latter conveys the accord between body and soul, the excitement at the prospects of the future (advienne que pourra), the feeling of well-being (se sentir bien dans sa peau).

excerpt  Never have I felt more keenly all that separates us from the West than in a summer afternoon spent in the Versailles gardens. In the park full of Greek memories: Apollo's Pool, that of Latona, in which the superposed arrangement of the gardens that mount towards

One might think that all men desire pleasure because they all aim at life (…). Pleasure completes (…) life, which they desire (…). But whether we choose life for the sake of pleasure or pleasure for the sake of life is a question we may dismiss for the present. For

excerpt It happened, not too often, but especially after a theater evening followed by dull group discussions at a terrace forgotten open. Camil, the second day after the torture, ran wild. He met Sandu, the sports teacher, the scare of the second division at rugby, the

It seems almost provocative to launch such an issue on the local pleasures, pastimes and delights, while nowadays a troublesome Romania appears as plunged into unending economic and social difficulties, striving to cope with various shortcomings and weaknesses. However,

European travelers such as Antonio Maria del Chiaro were struck long time ago by the uncommon abundance of woolen carpets in each Romanian home, be it aristocratic, bourgeois or peasant. Carpets were laid mainly onto the walls of the rooms, but they also covered the beds,

In the field of iconography the rhetoric of the end manifested itself initially as a history of silences, the absence of the motif being possibly equally significant as its presence since, as Michel Vovelle demonstrated, images interest us as expression of a selective, oblique

Myth as a source of folkloric artistic manifestations continually delineates new territories waiting to be re-discovered. In the moments of mythological reconstruction a process of sifting the essences is kindled, which fascinates and re-sizes the participants in a meta-real

We have been acquainted with the fundamental myths of Romanian spirituality in Mircea Eliade's view and read his comments on the legend of Master Manole, the legend which, according to Eliade, certifies that myth is essential to the process of artistic creation, and

The essential resemblance between the legend recorded by Bandinus in 1647 and the folk legends about the Flood, collected at two and a half centuries' distance (around 1900), is conspicuous. In all these variants (but especially in the one chronicled by Bandinus) some