MARCEL IANCU

Colecția Argumente Ediție în limba franceză Avant-gardes et modernités: Brâncuși, Duchamp, Brauner, Voronca, Tzara & comp. Reputatul critic şi istoric de artă, prof. Cristian Robert Velescu, ne propune un studiu bine documentat despre modul în care, în

INTERSECŢII. Înainte de sărbătorile de iarnă - OBSERVATOR CULTURAL Autor Michael FINKENTHAL Nr. 556-557, 23 decembrie 2010 Sînt în Haifa şi profit de ocazie pentru a da o fugă pînă la Ein Hod, satul pictorilor întemeiat după 1948 de Marcel Iancu, pentru a

by M. H. Maxy (1895-1971); Marcel Iancu (1895-1984); Victor Brauner (1903-1966)

by Petre Răileanu

1922-1928. The Beginnings. Magazines and Manifestos. The Intellectual International. The Theorizing Machines. 75 HP – the New Start of the Romanian Avant-garde. Integralism and Synthesis. Synchronism and Internationalism The first avant-garde magazines and manifestos

The year 1900. Europe's countries are divided on the question: does the 20th century begin in 1900 or in 1901? Some opt for 1900, by virtue of the change in the figure of the hundreds. Others are partisans of 1901, for reasons of more sophisticated arithmetic. Particular

B. Fundoianu began to publish persistently and regularly in 1918, when he was twenty; with the determination that characterized him, he embarked upon a tireless mission that took all the attributes of a vocation: that of a messenger of French – hence European – culture

In a holographic note drawn up in Romanian in the third person, Brâncuşi speaks about himself as about someone else and makes an important remark in connection with his relationship with materials. Turned down in 1910, he exhibited fully carved stone and marble for the

Women artists (originally women-painters) became a reality in Romanian culture only by the turn of the 20th century. Barely having an artistic tradition of the western kind (that is, academic), the national cultural milieu in the 19th century was rather deprived of a professionally

Corneliu MICHAILESCU (Bucharest, 1887-Bucharest, 1965) is one of the less known Romanian avant-garde artists, with a particular although somehow exemplar creative itinerary. Despite his relatively long life and apparently static development, he is one of the rare Romanian

After having been closed for consolidation, restoration and reorganization, the Museum of Art Collections, housed by the former Romanit Palace, restores to circulation fourteen collections, exhibited in the building facing the Grivita Road. The building was closed in 1986

Director, Museum of Art Collections A magic and impartial destiny decided that, at the celebration of a century since the materialization of the idea of art collection and art collector, the reopening of a Palace of Collections should take place. An initiative, disputed