Lucian Blaga

The Romanian Cultural Institute in London celebrates the Romanian National Culture´s Day on Thursday, January 19th, with the report ”Mihai Eminescu, the Anglo-Saxon and German realm: influence and perception”. In the Romanian cultural calendar, January the 15th

Entitled A Hand for the Poet/Aplauze pentru poet, the spectacular project developed by the cultural associations The Culture Club and Pro Contemporania, with the support of JTI, having as main partner the Romanian Cultural Institute in London brings to the international

The Romanian Cultural Institute operates within the existing legal framework under Law no. 356 of 2003, the Romanian Government Emergency Ordinance no. 27 of 13th June 2012 and subsequent amendments. Its mission lies in promoting national culture and civilization in Romania

TABLE OF CONTENTSBUKOVINA – HISTORICAL AND SOCIAL PROCESSES Emilian Dranca, The Migration of the Germans from the South of Bukovina  / 7 Marin Gherman, The Romanians from the North of Bukovina: Between the Concept of „the Russian People” and the New Concept

TABLE OF CONTENTS BUKOVINA – THE HISTORICAL AND SOCIAL PROCESSES Alexandrina Cernov, A Way of No Return – Fântâna Albă Dorin Popescu, „Intermarium” vs „The Three Seas Initiative”, from a Concept of ”Fear” to a Project of ”Force” Vladimir Acatrini,

by Lucian Blaga (1895-1961)

by George Gană

Entrevista con y sobre GELU BARBUpublicada en CURIERUL ROMÂNESC(El Mensajero rumano)Año XV, nr. 10 (201), octubre de 2003 El arte del espectáculo auténtico es y seguirá siendo un mundo fascinante, por doquiera y cuando quiera, que a todos nos hace falta. El espejismo

Discurso de recepción pronunciado el 5 de junio de 1937en la sesión pública solemne de la Academia Rumana  De las aldeas rumanas (conozco sobre todo a las transilvanas) se puede afirmar, en general, sin ninguna restricción esencial, que siguen conservando, como estructura

I certainly am neither the first, nor the only person to notice that the fantastic appears as a distinctive feature of Nordic, non-Latin peoples, rather than of the meridional spirit. The solar, mercantile, skeptical-rationalist South, and the sanguine, outgoing, relativistic

A talk with Gelu Barbu Each artist who fulfils his destiny up to the zenith of glory becomes the founder of an island nostalgic about the continent. The creator does not represent a boastful, empty oneness but a world within a world. His original formula is achieved thanks

Some time in the autumn of 1994, Sorin Alexandrescu asked in an interview in 22 magazine why, in the canonical battle between the various radical-democrat and nationalist structures of the opposition (and of the government), more attention is not paid to the real traditions