Litera

Is a diary sometimes tantamount to confession and, if so, is it, most often, a sincere one? Is it also a means of self-liberation? The most delightful diaries, although usually set off by outside shocks, by major events or dramatic situations, reveal above all the confidential

The only self-relying public dance company in Romania, the Oleg Danovski Ballet Theater carries out an extremely complex and sustained activity mirrored in the diversity of its productions and projects. In 1999 the company opened its gates to the personalities of the Romanian

I met Ioan Tugearu in Constanţa at the Oleg Danovski Ballet Theater where he spent days on end staging Kurosawa, Mon Amour, on a collage of traditional Japanese music, with stage decoration by Ion Codrescu. The show premiered early in September. With a tape-recorder in

The International Dance Festival in Constanţa presented in the final gala a special guest: Simona Noja, prima ballerina of the Vienna State Opera, another Romanian who, having left her native country for 10 years, has built a successful career on the world's stages.

Gigi Căciuleanu is one of the most important and original personalities in the world of contemporary dance. He is a graduate of the ChoreographyHigh School in Bucharest. He studied with Messerer Varlamov in Moscow. A decisive influence on his entire career came from the

Gigi Căciuleanu is a dancer and choreographer wrapped in a legendary aura, about whom dance magazines have written year after year, a formidable company manager who has worked in several cultural systems (Rennes, Paris, Santiago de Chile), possessed by a wonderful creative

Ballet dancer (b. 16 July 1957, Năsăud/Bistriţa). ChoreographyHigh School in Cluj-Napoca, graduation 1976, teacher Adrian Mureşan. Romanian Opera House in Cluj-Napoca (1976-1979). Soloist, ODBT* in Constanţa (1979-1988), Opera House in Gera and Opera House in Dresden-GDR

Ballerina (b. 11 April 1959, Reşiţa) Choreography High School in Cluj-Napoca, graduated in 1978; studied under Margareta Agavriloaie. Ballet Academy in Moscow (1976-1978), graduate with diploma, teacher Irina Kuznetsova. International Ballet Contest, Varna, 1983, 2nd stage.

Carmen Chihaia: Contemporary dancing seems to be winning over classical ballet. Maestro, considering your comprehensive view of the current directions, which school/tendency do you think will be able to impose itself, to bring something else that both audiences and artists

In one of the marvelous spots of Switzerland I met Maurice Béjart, the choreographer that refreshed all forms of movements and made of dance the art of the 20th century. In Lausanne, Maurice Béjart continues to live creating and philosophizing for the synthetic art with

Having reached its sixth edition, The International Festival of Choreographic Creation tends to become emblematic of the small sweet town of Iaşi. Somewhat pompously named Eurodans '97, it took place this year in a scenery saturated with pilgrims, guards, strikers,

I am fascinated by the theory of professor Nemoianu on the long-term influence of the literary text (secondary) on political representations and ideas (principal) in the history of the Western world, as well as by a recent study on the ethos of education as the substance