Iona

The legend is part of the martyr-cycle and it contains fairy tale elements (the dragons), which is not unusual in hagiography, as shown in the last chapter. It was copied by the parson Grigore from Mahaciu before 1600 after an original that has been lost. It is still preserved

The relevance of iconography for the study of the history of mentalities has been uncontested in the Western cultural space for the last few decades. The seminars organized in Aix-en-Provence on the relationship between iconography and the history of mentalities as far back

In the field of iconography the rhetoric of the end manifested itself initially as a history of silences, the absence of the motif being possibly equally significant as its presence since, as Michel Vovelle demonstrated, images interest us as expression of a selective, oblique

excerpts The cosmic tree, whose root, trunk and branches uphold – by dividing yet uniting – the three cosmic levels, is the same as the funeral tree, because, to the folk mentality, the cosmic tree is the only passageway to the other realm that the soul of the dead

excerptsTHE LIFE OF MANDeath. The Signs of DeathDeath is no longer visible to people and dying men no longer are aware of their time like once; still, there exist certain premonitory signs that show one the moment has come to embark upon the journey with no return. Not everybody

Myth as a source of folkloric artistic manifestations continually delineates new territories waiting to be re-discovered. In the moments of mythological reconstruction a process of sifting the essences is kindled, which fascinates and re-sizes the participants in a meta-real

Corneliu Bucur has been the manager of the ASTRA Museum of Traditional Folk Civilization since 1990. In 1965, he graduated the Babes Bolyai Faculty of History and Philosophy in Cluj. In 1981 he presented his doctoral thesis, with the following theme: Introduction in the

The essential resemblance between the legend recorded by Bandinus in 1647 and the folk legends about the Flood, collected at two and a half centuries' distance (around 1900), is conspicuous. In all these variants (but especially in the one chronicled by Bandinus) some

To the achievement of literary impact, Argeş Monastery comes up with a simple and ingenious solution: the absolute contrast between the soft and caressed tenderness of form, on the one side, and the wild graveness of the underlying tragedy, on the other. In the style and

excerpts1. Participation and RepetitionPerhaps the most significant difference between modern man and archaic man consists in this: for archaic man, a thing or an act acquires significance only in as much as it participates in a prototype, or in as much as it reiterates

  Joy usually produces beauty and beauty produces communication. . . , as Horia Bernea once said. That is also the dominant impression that I had after having visited the Romanian Peasant Museum. Beauty and joy are being offered to the Romanian or foreign visitor, whether

Architect The architecture of a country is, perhaps, the most accurate expression of its history, and nothing can give us a more certain insight into the past and more authentic knowledge of a civilisation. By what it has achieved throughout time, Romanian architecture