Constantinescu

The Monasteries of Oltenia. Art and spirituality

The Monasteries of Oltenia. Art and spiritualityTexts by Elisabeta Negrău and Vlad Bedros Edited and afterword by Father Iustin Marchiș English version by Samuel Onn Photographs by Dan Dinescu and Daniel Constantinescu ISBN 978-973-577-649-7 360 pag Contents 1. Elisabeta

Album Florin Ciubotaru, 2009, 232 pag.

Ediţie bilingvă (română-engleză) Selecţie fragmente presă şi cataloage: Anca Arghir, Horia Bernea, Florin Ciubotaru, Cornel Radu Constantinescu, Adrian Guţă, Dan Hăulică, Iolanda Malamen, Aurelia Mocanu, Andrei Pleşu, Pavel Şuşară, Alexandra Titu, Gheorghe

Viorica Ghiţă, Iulian Ghiţă (coordonatori) - Ion Popescu-Negreni (album), 2007, 208 p.

Absolvent al Academiei de Arte Frumoase din Bucureşti în anul 1931, la secţia de pictură, avându-i ca profesori pe Camil Ressu şi Constantin Artachino, Ion Popescu-Negreni aparţine Paradisului Pierdut al Picturii (formulă folosită de Andrei Pleşu cu referire la

Night Lights Light Nights Of Bucharest

Sometimes glowing colorfully in the dusk air, as doors of museums open up for late visitors, or, some other times, its dark sky flushed by lasers for white nights of entertainment, Bucharest often begins to live and breathe anew after sundown.  White NightsNow that the

Nature And Architecture: The Parks And Gardens Of The Capital

Cismigiu gardens, Icoanei park, Kiseleff park (see also The green within in Gallery). Many of Bucharest’s gardens and parks, which no longer exist because of extensive urban reorganising, were shaped as the aristocracy tastefully redesigned the open space around their

Urban Memory: Museums Of The Romanian Capital

1st row: National History Museum, Old Court Museum, Archeology Museum (detail), National Museum of Art2nd row: Collections Museum, Zambaccian Museum, Theodor Aman Museum, Gh. Tattarescu Museum 3rd row: Storck Museum, Romanian Peasant Museum, Astronomical Observatory (detail),

Cuando Estoy En El Tablado Es Como Si Estuviera En Un Templo

Entrevista con y sobre GELU BARBUpublicada en CURIERUL ROMÂNESC(El Mensajero rumano)Año XV, nr. 10 (201), octubre de 2003 El arte del espectáculo auténtico es y seguirá siendo un mundo fascinante, por doquiera y cuando quiera, que a todos nos hace falta. El espejismo

A Day In The Life Of The Romanian Athenaeum

When I was a child, and later, as a teenager, I circled around the Romanian Athenaeum without knowing what the edifice was good for. Then I began to think that it had been built for George Enescu… And when I first entered the concert hall, climbing one of its spiral staircases,

About Critics

You like any book if you want to. You dislike any book if you want to. I believe literary criticism is useless, and I believe literature has no metaphysical significance. If I do literary criticism, I do it because I have nothing else to do. I do not feel I am committed

George Enescu At The Beginning Of A New Millennium

The history of world music has witnessed many spectacular overturns in the hierarchy of values, when names of purely local interest whose death was not even announced in an obituary (Johann Sebastian Bach) became world famous personalities a century later. Quite often, internationally

Diary Of A Malcontent 1932-1949

January 5, 1940 On Monday I must get down to work seriously and consistently. Apart from this, my life has become unbearable. I don't know what the devil is the matter with me, I feel as if I were growing old and stupid. I suppose I have some obsessions of my own,

Boris Kneazev

I owe much of my setting up as an artist to Boris Kneazev as well. There’s another aspect to consider. One can work enormously in ballet and never get proper parts. Or, there’s even a more dramatic situation, when one gets these parts and realizes that one doesn’t