Barbizon

Sezonul Cultural România-Polonia 2024-2025 va fi inaugurat oficial în Polonia cu expoziția „Nicolae Grigorescu, pictor al ethosului românesc”, ce reunește lucrări din colecția Muzeului Național de Artă al României, găzduită de Muzeul Național din Gdańsk

Miercuri, 13 septembrie 2017, la orele 18. 30, la Accademia di Romania va avea loc vernisajul expoziției de pictură La caduta / Căderea, expoziție personală a artistei Nadia Ioan. Evenimentul este susținut de Institutul Cultural Român. Expoziția face o paralelă

Institutul Cultural Român a organizat joi, 6 iulie 2017, evenimentul „Mesageri identitari”, care a fost găzduit în Sufrageria Regală a Muzeului Național de Artă al României. Pornind de la o selecție de tablouri aflate în patrimoniul muzeului, printre care

Miercuri, 4 martie 2009, ora 18. 00, la Institutul Cultural Român (Aleea Alexandru 38, Bucureşti) va avea loc vernisajul expoziţiei de pictură Budoarul a artistei Nadia Ioan Fîciu. Vor prezenta Horia-Roman Patapievici şi Pavel Şuşară. Pasionată de pictura şcolii

See Gallery One would wonder why the ox is so preferred by most of the Romanian landscape painters at the turn of the century. One reason is a name, Barbizon. Both Nicolae Grigorescu and Ion Andreescu, the leaders of the generation, were configuring their artistic project

The early-20th-century major Romanian art is not a block, but a very particular construction of intertwined cultural layers. One could not affirm that the most fertile and valuable Modern cultural period of this country was characterized by a certain, homogenous Romanian

Artists are wanderers par excellence. This is the case not only for the itinerant artists of the Middle Ages, those architects, stone-carvers, painters and stained-glass artists that moved their workshops all around Europe, building and embellishing cathedrals here and there.

Virgil Cioflec, later to become a writer and a collector, stands out amongst the moral and financial supporters of the initiators and founders of Artistic Youth Society (December 1901). With some of its founders, Gheorghe Petraşcu, Ştefan Popescu, Kimon Loghi, Ipolit Strâmbulescu

Simu Museum A conservative MP in the 1888, 1891 and 1899 parliament sessions, Anastasie Simu finally became tired of the Machiavellian political life in Romania at the end of the 19th century; realising he had no prospects to achieve momentous social and cultural events

Georges de Bellio, 1894 (oil on canvas) by Giovanni Boldini (1842-1931) Among phenomena adjacent to art, art collecting is known as representing a consequence of the rapports art-artist-society, and as quite sensitive to the evolution of style and society's conduct

It seems almost provocative to launch such an issue on the local pleasures, pastimes and delights, while nowadays a troublesome Romania appears as plunged into unending economic and social difficulties, striving to cope with various shortcomings and weaknesses. However,

I was, am, and will remain, a Rusyn. Aleksander Dukhnovici A short historyThe Ruthenians are a population that is descended from a Slavic branch of the Indo-European nations. Their name is mentioned by Julius Caesar, with reference to a Celtic tribe settled in Gallia Narbonensis.