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SUMAR NR. 74 Pagini autobiografice Gertrude Stein – Autobiografia lui Alice B. Tokias Mircea Vasilescu – Anii mei italieni Gregor von Rezzori – Zăpezile de altădată George Banu – De ce nu am devenit actor Petre Solomon – Întâlniri cu Nenea Secu Søren

SUMAR NR. 73 Adam Michnik – Renunţarea la umanitate Pagini autobiografice Héctor Abad – Poemul din buzunar Jorge Luis Borges – Cinci sonete regăsite Luca Niculescu – Întrebările unui jurnalist Maria Banuş – Jurnal intermitent Geo Şerban – Interogaţii

Dialogul Cultural Europa-China, Spații publice și poduri între culturi la Palatul Parlamentului din Bucureşti – MODERNISM. roautor: Cosmin Năsui 21 octombrie 2014 Dialogul Cultural Europa-China (1) Dialogul Cultural Europa-China (2)În perioada 15-17 octombrie 2014

The Monasteries of Oltenia. Art and spiritualityTexts by Elisabeta Negrău and Vlad Bedros Edited and afterword by Father Iustin Marchiș English version by Samuel Onn Photographs by Dan Dinescu and Daniel Constantinescu ISBN 978-973-577-649-7 360 pag Contents 1. Elisabeta

Turneu internaţional de promovare a Festivalului Enescu, organizat de ICR - AGERPRES 31 ianuarie 2011 Institutul Cultural Român va organiza un amplu turneu internaţional dedicat promovării Festivalului Internaţional George Enescu şi creaţiei compozitorului român,

INTERSECŢII. Înainte de sărbătorile de iarnă - OBSERVATOR CULTURAL Autor Michael FINKENTHAL Nr. 556-557, 23 decembrie 2010 Sînt în Haifa şi profit de ocazie pentru a da o fugă pînă la Ein Hod, satul pictorilor întemeiat după 1948 de Marcel Iancu, pentru a

Furry spearsOn its ears The sharpest clawsInside its paws Greedy cat's eyesFlames in disguise Not a rustle, not a breezeAs a herd of deer freeze Hungry,Stretched bow lies in waitThe beastTakes out its clawsWith clenched jawsToo late! Poor deer!Falls without a soundDeath

In August when the sky fills with bullsAn eagle comes down in the neighborhood And lets me know from the first phone call that he's coming to see me An admirable pyromaniac haunted by firesAnd black serenity covering his feathersHe comes upset by the foreboding of

Animals have well-defined pigeonholes assigned by the traditional Romanian mindset. From wee to huge, all creatures are cast in distinct roles that any inhabitant of temperate geographical areas will recognize: hardworking as an ant (or bee), stupid as a goose, haughty as

see image A widely-spread carnivorous mammal, the fox has been drawn to the attention of the people ever since early Antiquity, remaining throughout the ages the most steadfast symbol of slyness, cunningness, cruelty and cynicism. Totemic animals from one region in the

Tomis (the former name of the city of Constantza, Romania, situated on the shore of the Black Sea) is a 2550 year-old Greek city that has a historical past overlain with the constructions of the modern city. The name of the city comes from Constanta, an old quarter of the

Marble statue, slightly purplish. The statue is a true masterpiece, a unique piece, a sort of Venus of Milo of the sculptures representing animals, especially that to this day, there has not been found anything like it anywhere else. The statue represents a fantastic animal