Anima

Diary 1929-1961

1945 January 1st Absolutely alone, this Eve. First time ever, I imagine. Listening to the King's speech and to general Rădescu's[i]. Nonetheless, kicked off the evening by a prayer: asked God for PEACE, serenity, calmness. At the depth of my soul: melancholy,

Light And Shade

excerpt THUNDERSTRUCK A few days after having met George Enescu on the road to Peleş, after dinner, I was on my divan smoking a fragrant oriental cigarette next to Princess Maria, resplendent in her long, pink veils; she was knitting without seeing the work, in the semidarkness

Diary Of A Malcontent 1932-1949

January 5, 1940 On Monday I must get down to work seriously and consistently. Apart from this, my life has become unbearable. I don't know what the devil is the matter with me, I feel as if I were growing old and stupid. I suppose I have some obsessions of my own,

Diary

I don't know why I haven't written in here for so long. Weary of scrutinizing myself… But tonight I'm happy I've stayed in and read a book (Esquisse d'un traité du roman, Léon Bopp); I'm going to proofread City of Acacia Trees[i]. I've

Titu Maiorescu - Diary And Letters

Titu Maiorescu's diary is an unprecedented publishing event and, in its own way, unique in Romanian literature, by both the nature and value of the notes and by the length in time it covers – 62 years – and by the age of the author who had barely turned 15 when

The Matter Of Movement

Representing dance and dancers is not infrequent in Romanian art. From the famous Hora by Tattarescu, at the end of the 19th century, to the series of Căluşarii of Magdalena Rădulescu by the middle of the 20th century, various painters aimed at getting something from

Simona Noja

The International Dance Festival in Constanţa presented in the final gala a special guest: Simona Noja, prima ballerina of the Vienna State Opera, another Romanian who, having left her native country for 10 years, has built a successful career on the world's stages.

Requiem - Interview With Gigi Căciuleanu

Interview with Gigi Căciuleanu about the performance staged as an absolute première in Constanţa – June 2000 To Gigi Căciuleanu, Romanian choreographer living in France, who left Romania in 1972 to win a wager with himself – the freedom to create in a world free

Sergiu Anghel

I made my debut in 1974. I had graduated from high school the year before and in the summer of '73 Adina Cezar, Nataşa Trăistaru, Anca Mândrescu, Cristian Crăciun and I decided to establish a contemporary dance troupe. As far as I am concerned, the decision to put

Daniel Eszralow - Interview, 1999

For the first time ever three American choreographers, Moses Pendleton, David Parsons and Daniel Eszralow will create a novel performance for the Romanian World and Olympic Champions at aerobics. AEROS – a world premiere that will take place in Italy. Physically extremely

Preludes And Carmina Burana

Premiere at the Romanian National Opera While in most theatres of the Capital premieres succeed one another at breathtaking speed, the Bucharest ballet season seemed on the verge of collapse. After a long wait, at the beginning of April the first ballet premiere of the

The Secondary Takes Precedence

I am fascinated by the theory of professor Nemoianu on the long-term influence of the literary text (secondary) on political representations and ideas (principal) in the history of the Western world, as well as by a recent study on the ethos of education as the substance