Adela
excerpts Almost every night I talk to Adela on the porch. The ladies go to sleep earlier. Adela shows an attentive, almost submissive, sympathy to the maestro. She is, however, more personal in opinions than before. But what is going on inside her? When she talks it always
Eternal Womanhood
Even if human society has always been haunted by an almost imperceptible misogynic fluid, the selfsame society has enabled the advent of remarkable women in every walk of life, from politics to business to culture or science, from Sappho to Marie Curie, from Clara Schumann
The International Festival Of Choreographic Creation Iaşi 1993, 2nd Edition
Iaşi proved to be, for the second time, an excellent host for The Competition-Festival of choreographic creation with international participation, initiated last year by the ballet critic Dan Brezuleanu, the director of the Festival. The artists benefited from a modern
The Sadness In The Eyes Of The Immigrant
The Romanians from Down Under To my Victoria from the South Pacific IslandsKo te mana o tenei matenga whetu aianeE poturi i ro o te rangi e piki mai* In Aotearoa (New Zealand), I met happy Romanians. Their happiness was either blended with sadness, or boosted up by it.
Echoes
Aida, March 17, 1920. I waited for it. With the justifiable, feverish impatience you feel before an ideal dream comes true!, wrote the Rampa magazine on March 18, 1920, hailing the opening of the first lyrical season. People liked the cheap, but very beautiful stage design,
Return To The Interwar Bucharest
excerpts So closeSuddenly, the interwar people make the body visible: men are allowed to shave off not only their beards, but also their moustaches – a facial change that overthrows an aesthetic canon with centuries-old resistance – and women, punished and ridiculed
Nr. 83 - toamna 2012
Sumar Lettre Internationale nr. 83 RetrospectiveMircea Malița: Criza rachetelor Herta Spuhn: Încrâncenare, sarcasm, speranță Geo Șerban: Balcic – temă cu variațiuni *** Balcic – provocările privirii DIALOG Lidia Vianu – C. G. Săndulescu: „11 - 33” Dincolo