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Not thinking about anything. Only thinking of petty little things. Not thinking about the Whole. Thinking about everything and nothing. Thinking about petty little nothings. And, if I can, I think that God thinks me, thinking under God's protection. Is God there? Does

Institutul Cultural Român şi Academia de Teatru „Athanor (Germania) vă invită marţi, 4 august 2009, ora 11. 00, la conferinţa de presă cu tema În căutarea teatrului existenţial la Burghausen. Vor prezenta Horia-Roman Patapievici, Preşedintele Institutului Cultural

Marți, 23 aprilie 2013, de la ora 13. 30, la Institutul Cultural Român (Aleea Alexandru 38, București) vor fi lansate două apariţii editoriale de excepţie: volumul VI din seria Opere de William Shakespeare – într-o nouă versiune românească – şi, respectiv,

You like any book if you want to. You dislike any book if you want to. I believe literary criticism is useless, and I believe literature has no metaphysical significance. If I do literary criticism, I do it because I have nothing else to do. I do not feel I am committed

Alfredo Casella: Enescu is delicate and sensitive, communicative too, like all Latins. Despite his spontaneous and amazingly rich inventiveness, his creation illustrates a process of will, which no artist can overlook. I have seen such a perfect accord between intention

The history of world music has witnessed many spectacular overturns in the hierarchy of values, when names of purely local interest whose death was not even announced in an obituary (Johann Sebastian Bach) became world famous personalities a century later. Quite often, internationally

Simplicity is not an end in art, but one arrives at simplicity in spite of oneself, in approaching the real sense of things. Simplicity is at bottom complexity and one must be nourished on its essence to understand its significance. Catalog of Brâncuşi exhibition, Brummer

For the sparkling sculptor of modern art, music represented a secret passion. It was only after the master's death that his close friends, V. G. Paleolog and Marcel Mihalovici revealed to the world the place the art of sounds took in the atmosphere of the mysterious

The Chimera, a sculpture carved in oak wood between 1915 and 1917-18, currently exhibited at the Philadelphia Museum of Art, has so far attracted but limited exegesis. Petru Comarnescu, in a conference held in Craiova in 1957, made reference to the body streamlined as to

In a holographic note drawn up in Romanian in the third person, Brâncuşi speaks about himself as about someone else and makes an important remark in connection with his relationship with materials. Turned down in 1910, he exhibited fully carved stone and marble for the

You have turned the antic into the modern, Rousseau le Douannier once told Brâncuşi. Those words complete very accurately the characterization suggested by Dan Hāulicā: He produced the century's purest classicism out of the exotic. [1] The Romanian sculptor

So they felled an old fir tree because it gave too much shade… Nicolae Iorga was the Romanian scholar par excellence whose only lifetime joy was the joy of books, and whose only ambition was to uplift the letters of his kin. by Perpessicius