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excerpt The authentic, unaltered Romanian population is to be found especially in the mountains of Transylvania. These vigorous mountain people, so beautiful in their lively colored national costumes, are very interesting in the eyes of those who want to study the customs

The obvious indifference of the Romanian peasant to the neighboring peoples stems from the instinct that these are more or less recent. Our physical typology is altogether different from that of neighboring and Central-European peoples. If we have some affinities with meridional

To carry out a veracious analysis of a people's psychology is a utopian thought, and the multiple risks involved in making estimates and commentaries on the specificity of a still maturing nation become unavoidable. Each individual is a small, but unique and unrepeatable

It is difficult for me to express an opinion about Romanian ballet. I only know it thanks to first-class dancers. The first were Magdalena Popa and Sergey Stefanski, then George Iancu, followed by the dancers of the beautiful company of Oleg Danovski. One thing was certain

Representing dance and dancers is not infrequent in Romanian art. From the famous Hora by Tattarescu, at the end of the 19th century, to the series of Căluşarii of Magdalena Rădulescu by the middle of the 20th century, various painters aimed at getting something from

As regards the danced act, I am what you may call an animist. I believe that each part of the body, like objects, has its own soul. Its own character and personality. That is why it is terribly important to establish with utmost care a minute inventory of these 'souls'

Arabesque Graceful silhouettes, jumps, pirouettes, endless rehearsals, precision, tenacity, discipline, harmony between body, movement and music to attain the purity given off during that glissade in which glided the white ballerinas in Bacovia's poem or in a painting

Gigi Căciuleanu is a dancer and choreographer wrapped in a legendary aura, about whom dance magazines have written year after year, a formidable company manager who has worked in several cultural systems (Rennes, Paris, Santiago de Chile), possessed by a wonderful creative

Ballerina (b. 11 April 1959, Reşiţa) Choreography High School in Cluj-Napoca, graduated in 1978; studied under Margareta Agavriloaie. Ballet Academy in Moscow (1976-1978), graduate with diploma, teacher Irina Kuznetsova. International Ballet Contest, Varna, 1983, 2nd stage.

Having reached its fourth edition, the National Ballet Contest for dancers between 12 and 26, organized by the Theatre of Classical and Contemporary Ballet in Constanţa, presided by the maestro Oleg Danovski, under the care of The National Dance Committee of Romania, whose

Romanowsky was active in our country after the First World War, with several interruptions. These interruptions were caused by a series of frictions with some of the managers at the Romanian Opera House. Then, between the two world wars, the social context (the economical

Managing Director, Oleg Danovski Ballet Theater Oleg Danovski's unquestioned merit lay in resisting the temptation of accepting to be turned into a ritual by the critique and the cultural bureaucracy, and in having launched, in the '80s, a first off the opera