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It's been a long time since, at the Romanian Opera, I have assisted at a première with an allure of great show as it is now Mihaela Atanasiu's Peer Gynt. An authentic première, not the remake of a show put out of the program for a while, not the resumption, either,

Vivia Săndulescu: Tell me, Tiberiu Almosnino, how many years have you been serving the opera?Tiberiu Almosnino: I graduated from the Choreography High School in Bucharest in 1981, and the same year I was hired at the Romanian Opera, following a contest. So… VS: If you

We must bear in mind that the history of Romanian theater is full of energies, some of them fabulous. I believe I am a normal man. I also believe that the senses of some of us have atrophied in time. The energy I convey to the audience is called Love. And the audience responds

I suggest a discussion about superlatives. You have had a superlative career – as a matter of fact, two careers that at first intertwined, and then continued separately. Chronologically, who were your best teachers? My maestros were Anton Romanowski, Oleg Danovski, Gelu

BALLET OPENING NIGHT AT THE NATIONAL ROMANIAN OPERA The two ballets staged by Alexa Mezincescu in her recent premiere on the boards of the National Romanian Opera in Bucharest, The Firebird and The Rite of Spring by Igor Stravinsky, marked, at the moment of their creation

Editura Institutului Cultural Român a fost distinsă cu Premiul Ioan Petru Culianu „pentru cea mai importantă editură care promovează istoria culturii şi civilizaţiei , în cadrul celei de-a XVII-a ediţii a Târgului Internaţional de Carte LIBREX, desfăşurat

I know you don't like to talk about yourself and your successes. You were telling me some time ago about a certain maturation of verbal expression that, with dancers, develops in time in parallel with motile expression.  I noticed that we, dancers, do a lot of things

Iaşi proved to be, for the second time, an excellent host for The Competition-Festival of choreographic creation with international participation, initiated last year by the ballet critic Dan Brezuleanu, the director of the Festival. The artists benefited from a modern

Karine Saporta is considered one of the most prestigious personalities of contemporary European dance. With higher education in philosophy and sociology in France and the USA, she has continuously developed her research in the direction of dance, from video to photography.

The French Academy The spirit is at the mercy of the body; like blind people at the mercy of their seeing aides. The body touches and does all; begins and achieves all. It is from the body that our true lights emanate, and even our only lights that are our needs and appetites,

To make the body talk. To make the entrails talk. To make the marrow and bones talk to exhaustion, to abandon. Le livre des resemblances by Edmond Jabes

Dance is the poetry of movement, the supreme poem of life because, more so than music, is Its direct manifestation… which does not speak, does not meditate, but only lives. by Hortensia Papadat-Bengescu (1876-1955)