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Carmen Chihaia: Contemporary dancing seems to be winning over classical ballet. Maestro, considering your comprehensive view of the current directions, which school/tendency do you think will be able to impose itself, to bring something else that both audiences and artists

23 years after its inauguration, the Oleg Danovski Ballet Theater already has a history that gathered between its covers quests and expectations, sadness and joy, failures and successes… But above all, the great love for the art of dance, for the profession to which the

A savoir que la danseuse n'est pas une femme qui danse, pour ces motifs juxtaposés qu'elle n'est pas une femme, mais une métaphore résumant un des aspects élémentaires de notre forme, glaive, coupe, fleur etc. (Mallarmé, in Mythes et rituels de l'écrivain

După succesul repurtat de Spovedanie la Tanacu începând din 2007, al doilea proiect al „Academiei itinerante Andrei Şerban, iniţiat de Corina Şuteu, directorul Institutului Cultural Român din New York, porneşte la Horezu în 2009. Realizat cu susţinerea ICR Bucureşti,

In one of the marvelous spots of Switzerland I met Maurice Béjart, the choreographer that refreshed all forms of movements and made of dance the art of the 20th century. In Lausanne, Maurice Béjart continues to live creating and philosophizing for the synthetic art with

What impresses from the beginning at Simona Şomăcescu, is an extraordinary self-devotion through dancing, which lights up from within, like a flame, the character's personality. A vast and generous movement, a movement that fills the stage and seems to transform the

Contemporary dance choreographers work on gestures. They do not necessarily have to be beautiful or interesting, but simply natural. Every single emotion expressed. The dancer always performs something, interprets something, lives that moment either through gesture, movement

Creator of a ballet genre that draws on the essence of Romanian folk dance, expressing it in a vocabulary that includes elements borrowed from gymnastics – a genre rightly defined by the critic Liana Tugearu as 'Romanian rhythmic dance. ' From the ten pieces

La sediul Institutului Cultural Român a avut loc luni, 11 mai, de la ora 11. 00, o conferinţă de presă dedicată programelor de traducere şi publicare în străinătate a autorilor români, derulate de ICR prin Centrul Naţional al Cărţii (CENNAC). Au luat cuvântul

Criteriile de evaluare şi selecţie: 1. relevanţa proiectului din punctul de vedere al promovării fenomenului cultural românesc 2. consistenţa proiectului şi posibilitatea continuării lui 3. finalitatea proiectului 4. relevanţa dosarului 5. identificarea şi exploatarea

Origins. In Experimentalism in Romanian Choreographic Art between the 60's and the 90's, published in 1997, Liana Tugearu made the following remarks: After a very short period of storing and decanting, a few young dancers broke away from the established companies

Who is this Roman Vlad who composed 'The Seagull'? a well-known director asked me, a great music fan, therefore always present at the concerts and shows of the Enescu Festival. The meaning of this question was suggested by its intonation: Who is this Roman Vlad