Visual arts

Galeria ICR Berlin găzduiește, începând cu 25 noiembrie, expoziția personală „A4/Used Without Object a artistului Gabriel Stoian, curatoriată de Ada Muntean, reprezintă un proiect artistic cu inspirație socială. Dimensiunea standard A4 devine o metaforă  vizuală

Lista proiectelor culturale organizate de Institutele Culturale Românești din străinătate în luna februarie 2015. ACCADEMIA DI ROMANIA DIN ROMA 5-11 februarie / Expoziția de sculptură şi pictură „Oglinzi paralele“, la Academia di Romania, în Sala de expoziţii.

Programul românesc la BookExpo America (BEA) New York, la care România este prezentă, în premieră, cu un stand național organizat de Institutul Cultural Român, a continuat joi, 29 mai, la Global Market Stage din cadrul BEA, cu o conferință intitulată Translation

Pe 14 decembrie, la ora 19. 00, are loc la Berlin vernisajul expoziţiei colective „Social Cooking -Romania care face parte din proiectul de cercetare cu acelaşi nume al grupului de lucru pluridisciplinar AG Ostverschiebung - alcătuit din Sophia Bickhard, sociolog (Berlin);

An Individual without Individualism To a new society – a new man. Naturally, one would not fancy a communist world inhabited by middle-class people in disguise. That was the most delicate problem raised by transformist mythology. One could not rebuild the economy and

The message addressed to international surrealism. Theoretical contributions and techniques proposed by the Romanian surrealists Between 1938-1940, two young Romanian poets, Gellu Naum and Gherasim Luca, were in Paris – Naum to study philosophy, and Luca as the precarious

1922-1928. The Beginnings. Magazines and Manifestos. The Intellectual International. The Theorizing Machines. 75 HP – the New Start of the Romanian Avant-garde. Integralism and Synthesis. Synchronism and Internationalism The first avant-garde magazines and manifestos

In the visual arts, the laugh, the ridicule and caricature have a certain regime, which is rather different from the one developed in literature, mainly because it is an expression of criticism and contempt much more immediate and politically engaged. Starting in Germany

Representing dance and dancers is not infrequent in Romanian art. From the famous Hora by Tattarescu, at the end of the 19th century, to the series of Căluşarii of Magdalena Rădulescu by the middle of the 20th century, various painters aimed at getting something from

A first attempt at collecting in a book texts on personalities of Romanian dance or who have spent a decisive stage in their formation within the framework and in the atmosphere of a Romanian school is bound to be controversial. Although partial and subjective, the present

*excerpts THE SOPHISTICATED PEASANTS The Romanians are a social phenomenon. As a nation among nations, they are westerners evolved in the East. They are Latins surrounded by Slavs. They are Romans two thousand years away from Rome. They are contemporaries re-produced on

Member of the Academy Barbu Slătineanu was one of those people that draw your attention at first sight. The first time I met him was by chance: I was a doctor and I went to see his brother-in-law, Playno, who lived in the same house on Obedenaru street. Ever since, I considered