Representation

Alexandru Ţipoia (1914, Snagov, Romania – 1993, Geneva, Switzerland) is a rather less known painter even in Romania. This basically because of his pertaining to a limited category of artists whose career started in the most troubled years of World War II. Moreover, he

(1. 08. 1915-29. 09. 2001) Gellu Naum (1915-2001) was the only writer pertaining to the historical Romanian surrealist avant-garde who survived, rather untouched but also more or less unheard, the vicissitudes of a half a century of Communist rule. He started publishing

Mateiu Caragiale left us a literary heritage, fragmentary in its outlook that puzzled and amazed through its originality, through an appetite for mystery it seemed to originate in, through the secret inspiration that fed it and through its old-fashioned lyricism which was

excerptsLet us begin with on obvious fact – Urmuz is a myth, is he not? Useless like all myths, functioning due to inertia, the coronation of certain clichés. Who reads Urmuz these days? Urmuz was the object of critical studies, his work has been translated, and his name

Choreographer The arts are long voyages of the spiritual in the material reality, unleashing the imaginary, freeing the phantasms, exploiting the miracle of representation. Without being as rich as the other artistic branches in events meant to shape its history, the dance

excerpts30th September When I get on the tram, in Zurich, I cross myself. To whom? Not to the tram, of course, but to the Power that gave some people (engineers, technicians, workers) the ability to create such public means of transportation: and to others (the passengers)

excerpt A few essential socio-economic mutations have occurred in Romania in the last decade. Gaining individual freedom, in addition to the possibility of free economic initiative, briefly, the first steps towards a market economy, had as an immediate consequence the need

We are all collectors. Whether it is paintings, art objects, CDs, books, stamps, insects, pipes, watches, posters, napkins, match boxes, memories, connections and many other artful, useful or simply useless things, everybody has the instinct of gathering in a personal collection

Employment of the words collection and collector seems to have a settled semantic buttressing and clarity in all its meanings. I do not think that there is such a collector who would look for an established definition of these terms in encyclopaedias. A collector is confident

Painter and collector of icons, Sergiu Savin was born in Bucovina, at Horodnic. Although he is a native of Bucovina he left his village when he was a child, and went to Transylvania. He came in touch with his native land very late, when he was about 55. He wanted one day

22 Spătarului Street, Bucharest (see also in Romanian with illustration)  The siblings Béatrice and Hrandt Avakian set up their collections independently, nevertheless evincing a shared predilection towards Eastern art, to be accounted for among others, perhaps, by the

(see also in Romanian with illustration) Garabet (Garbis) Avachian (1907-1967) was an eminent violin professor with the Ciprian Porumbescu Conservatoire in Bucharest; among his students may be counted several laureates of international contests. This talented musician undoubtedly