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I Don't Have Any Nostalgia For Princes Charming - Interview With Tiberiu Almosnino

Vivia Săndulescu: Tell me, Tiberiu Almosnino, how many years have you been serving the opera?Tiberiu Almosnino: I graduated from the Choreography High School in Bucharest in 1981, and the same year I was hired at the Romanian Opera, following a contest. So… VS: If you

Mihai Babuşka - Interview

I know you don't like to talk about yourself and your successes. You were telling me some time ago about a certain maturation of verbal expression that, with dancers, develops in time in parallel with motile expression.  I noticed that we, dancers, do a lot of things

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I am thinking first of all of what we can do ourselves. Through the program I am coordinating, initiated by Alexandru Dabija and energetically supported by Mrs. Dorina Lazăr, I intend to bring to the public's attention the situation of dance in Romania, be it classical,

Gelu Barbu At 45 Years From The Debut

The ballet dancer who made his debut on the stage of the Kirov Theatre in Sankt Petersburg, prime ballet dancer at the Opera in Bucharest, then, after 1961, prime ballet dancer at the Norwegian Royal Opera in Oslo, decorated by King Olaf with the Constitution medal, first

Boris Kneazev

I owe much of my setting up as an artist to Boris Kneazev as well. There’s another aspect to consider. One can work enormously in ballet and never get proper parts. Or, there’s even a more dramatic situation, when one gets these parts and realizes that one doesn’t

From Marriage In the Carpathians To Romeo and Juliet

1921. End of the year. The Romanian State Opera House was established in Bucharest. 1938. The month of August. The young institution was holding, through its representatives, master Floria Capsali to its bosom, who was employed on that occasion to nurture the destiny of

Facing Their Faces

Do Romanians look in a particular way, precisely as Romanians, and not merely as people of their own times? The answer to such a question of image, apparently simpler than the one to the proper being of the Romanians, is actually much more difficult. And this basically because

The Dialectics Of National Self-Criticism

Some time in the autumn of 1994, Sorin Alexandrescu asked in an interview in 22 magazine why, in the canonical battle between the various radical-democrat and nationalist structures of the opposition (and of the government), more attention is not paid to the real traditions

Notes Of A Hypochondriac

The other Monday walking on Victoriei Road I met a friend. It is a well-known fact that today any guy you treat to a glass of wine at Fialkowsky's or who is in the delightful habit of bumming two or three lei from you is called a friend. Last year, this guy borrowed

Caragiale, Laughter And The Romanians' Nature

And let's be serious for a moment, if just as a whimIon Luca Caragiale In L'Art du roman, Milan Kundera remarked, while speaking of Rabelais, that he coined a significant number of neologisms, many of which have entered French, and then other languages. Not all

An Innocent Abroad

When Mark Twain published the elaborate account of his Old World tour, The Innocents Abroad, America was still young, as a nation, and not yet proud of its culture. To avoid any tasteless outcry of admiration, driven by the contact with the vestiges of lost civilizations

The Sadness In The Eyes Of The Immigrant

The Romanians from Down Under To my Victoria from the South Pacific IslandsKo te mana o tenei matenga whetu aianeE poturi i ro o te rangi e piki mai* In Aotearoa (New Zealand), I met happy Romanians. Their happiness was either blended with sadness, or boosted up by it.