Piano

Far from his country, across the ocean, in 1957, while he conducted Beethoven's Ninth Symphony in New York, conductor Ionel Perlea had a heart attack. He had the courage and most of all the strength to go on conducting until he finished the Ode to Joy, after which he

a. Works for the Stage (Operas, Comical Operas, and Ballets) Vincenzo Bellini: NormaVincenzo Bellini: I PuritaniGeorges Bizet: CarmenArrigo Boito: MefistofeleAleksandr Borodin: Prince IgorDomenico Cimarosa: Il matrimonio segreto Leo Delibes: LakmeGaetano Donizetti: Don

Enescu:Dear Georgescu,This is what I got from professor Hajak (Targu Mures). He plays well and it would be a good policy to have him play one of the concertos he proposed with the Philharmonic. I did not mean to bother you with this matter, but he insists, as you can see.

On 20 November 1921 an enthusiastic letter written by the poet Cincinat Pavelescu is published in Rampa, a letter which we see fit to transcribe in full: Dear Mr. Editor in Chief, My life's absorbing activities of incessant work at the head of a newspaper without any

In an obituary published in the Tages Anzeiger of Zurich, Mario Gerteis draws a suggestive portrait of Celibidache in his youth. A nervous fiery ball, halfway between histrionics and insight, between passion and obsession. His dark locks hanging over his face in disorder,

Among all 20th-century great Romanian conductors, indubitably the most extravagant, original, paradoxical maestro of the baton remained Sergiu Celibidache. Perhaps only Herbert von Karajan enjoyed the status of absolute star during his life time as the Romanian conductor

excerptsLet us begin with on obvious fact – Urmuz is a myth, is he not? Useless like all myths, functioning due to inertia, the coronation of certain clichés. Who reads Urmuz these days? Urmuz was the object of critical studies, his work has been translated, and his name

1. His parents christened him Dimitrie, but he knew the appropriate name for himself, so he changed it to Demetru. He had said this himself, people should find names for themselves in tune with their own personal reality, or they should change themselves, while that is still

IFuchs wasn't quite born by his mother… In the beginning, when he came into being, he wasn't even seen, he was only heard, for Fuchs, upon being born, chose to come out through one of his grandmother's ears, his mother having no musical ear to speak of…Fuchs

I Fuchs was not born by his real mother… At the beginning, when he came into being, he was not even seen, but only heard, because when Fuchs was born he preferred coming out through one of his grandmother's ears, as his own mother did not have an ear for music…

Cotadi is short and thickset, with bulging muscles, his legs articulated twice outwards and once inwards; he is always unshaven. His raven black hair is covered with dandruff, sparklers and precious tortoise-shell combs. Cotadi cannot stand upright because of an armor-like

Cotadi is short and big-bellied, brawny, his legs are curved twice outside and once inside, and he is eternally unshaven. His ebony dark hair is full of dandruff and studded with shiny little crystals and expensive tortoise shell combs. Hardly ever does Cotadi stand upright