Peles

To our readers            Rereading history helps us to better understand contemporary issues. At their turn, present-day events modify our retrospective view, so that the past looks different, which explains why history has to be periodically rewritten. Anne

To our readers            Rereading history helps us to better understand contemporary issues. At their turn, present-day events modify our retrospective view, so that the past looks different, which explains why history has to be periodically rewritten. Anne

A native of Constanta born under the sign of Cancer, therefore dependent on the sea, the sun, the sand and the seagulls, a couple of months ago I moved to Vienna (no sight of the sea), after having spent four years in Bucharest (no sight of the sea) during my years of college

In history, the diurnal has always been a distorted image of the nocturnal. In daylight, events are the way we want to see, feel, and understand them. The nocturnal rejects such a compromise for the tranquility of crowds. It has existed next to us since the dawn of history,

Richard Rogers Partnership proposal, 1996People's House (Parliament) After 1989: Methods of researching the built environmentResearching Communist architecture is a tricky endeavor in contemporary Romania, where some major actors of that era are still alive, some even

Armenian Church; St. Joseph's Roman Catholic Cathedral; Stirbey house on Calea Victoriei excerpts from the debate organized by Ileana Foundation for Contemporary Fine Arts and Modern Architecture in Romania, hosted at UNA Gallery on May 12th 2008 Nowadays, the oldest

Mi formación básica como hispanista y como filólogo, en general, se ha llevado casi exclusivamente a cabo en la Universidad de Bucarest. Ha sido una buena formación, y la única falta (¡eso sí, mayor!) que podría achacarle es la ausencia casi completa de diálogo

“Enciclopedia de una carrera” por Adolf Armbruster Barcelona, Gran Teatro del LiceoG. Donizetti: La Favorita / el papel: Leonora di GuzmanDirector de orquesta: Adolfo Camozzo / Director de escena: Diego Monjocon: Jaime Aragall / Luigi Ottolini (23 de noviembre), Vicente

CAPÍTULO XXICARMEN EN EL PAÍS DE LOS TOREROSBARCELONA  Emilio Ferrone, el célebre empresario italiano, fue el iniciador de muchas brillantes temporadas de ópera; en algunas de ellas, como ya lo he mencionado, he participado yo también. Él enviaba sólo un simple telegrama

¡Las ideas son nuestra vida! Creamos unas ideas o bien un sistema de ideas sobre nosotros mismos y no renunciamos a ellas ni siquiera al darnos cuenta de que por culpa de las mismas se nos deshacen los hogares, perdemos a nuestros amigos y, a veces, en condiciones excepcionales

The wire that I had failed to see hit me below my knees. The earth turned, the boles propped against the stars somersaulted and I no longer heard the whistles. The red bells started to toll. Whipped up by the rain, the smell of weed and death that had simply been the breath

In short?In short, right now, as soon as you get home, pack up your things. . . Tomorrow morning, on my way to the station, I'll drop by for five minutes: I'm gonna drag you along! Fifteen days of quietness, of fresh air, after a whole summer in this inferno will