Ordin

The Romanian Peasant's Museum Motto: A photo is a secret about a secret. The more it tells you the less you know.  At the beginning of the 20th century, Alexandru Tzigara-Samurcaş1 was wandering around the villages of Oltenia and Bucovina, looking for folk art objects.

The old painting gallery of Ploieşti, established in 1931, represents the starting point of the Art Museum in Ploieşti, part of the current PrahovaCountyArt Museum. This painting gallery was established in the 1930's, very productive years for the appearance of galleries

Director of the Art Museum in Constanta IntroductionThe private collection can represent the distinctive mark of a class, a real nobility title, the possession desire, a hobby gradually turned into love – sometimes tyrannical – or a specific kind of knowledge; a true

excerpts IV In his office on the ground floor, Saferian, on a chair and surrounded by four men, all standing, was contemplating an oil portrait, set near them against the back of an ordinary straw chair. It is an Ingres, most certainly, said one of the four, a man with trimmed

If his consuming passion for art gained Krikor Zambaccian a familiar fame amongst the collectors in Bucharest, particularly by dint of his acquisitions in the field or foreign art, few know that his younger brother, Onic (1891-1975), yet another aficionado of beauty, was

Choreographer There are numerous crossroads between the dance unfolding within the space of an art collection and the very own pieces of this assembling, crossroads that make a sort of mutual colonization of artistic discourses. Flowing along a choreographic score, they

Director, Museum of Art Collections A magic and impartial destiny decided that, at the celebration of a century since the materialization of the idea of art collection and art collector, the reopening of a Palace of Collections should take place. An initiative, disputed

In 1951, the 'Slătineanu Collection' opened at No 3, Obedenaru Street. After crossing a garden bordered by big mosaic slabs, one reaches the building hosting the Collection. Two 18th century ewers warn the visitors that they will find numerous ceramic pieces indoors.

Temptation One is tempted by what one sees, and seeing is the basic experience in cyberspace. One perceives the wondrous site, the desirable realm, but also the density of the transparent space that comes in-between – a psychological double of the transparent obstacle

The reader will remember, if I draw his attention thereto, that the magnetic attraction exerted by the Hrandt and Rose Avakian home on me during my teenage years originated in the Eastern art statuettes particularly present on the cants, albeit not only there, but rather

The inauguration of the art collection Beatrice and Hrandt Avakian, held on a torrid day in August 1974, brought together an extremely numerous public. The exceptional interest manifested was owed to the fact that two siblings living in modest conditions, from hand to mouth,

I often meet people who are trying to sell a painting or some other work of art, claiming that it's a part of their collection. They are really mistaken. Every man furnishes his house according to his possibilities and his tastes. A rich man can have in his house paintings